A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 1 (of 3), Classical and mediæval criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
This volume—which will, fortune permitting, be followed by a second
dealing with the matter from the Renaissance to the death of
eighteenth-century Classicism, and by a third on Modern Criticism—is an
attempt to supply for others, on the basis of these years of reading,
the Atlas of which the writer himself so sorely felt the need. He may
have put elephants for towns, he may have neglected important rivers and
mountains, like a general from the point of view of a newspaper
correspondent, or a newspaper correspondent from the point of view of a
general; but he has done what he could.
The book, the plan of which was accepted by my publishers some five or
six years ago, before I was appointed to the Chair which I have the
honour to hold, has been delayed in its composition, partly by work
previously undertaken, partly by professional duties. But it has
probably not been injured by the necessity of reading, for these duties,
some four or five times over again, the _Poetics_ and the _Rhetoric_,
the _Institutes_ and the Περὶ Ὕψους,, the _De Vulgari Eloquio_ and the
_Discoveries_, the _Essay of Dramatic Poesy_ and the _Preface to Lyrical
Ballads_.
I do not know whether some apology may be expected from a man whom
readers, if they know him at all, are likely to know only as a student
of modern literature, for the presumption of making his own translations
from Greek and Latin. But when one has learnt these languages for twelve
or fifteen years, taught them for eight more, and read them for nearly
another five-and-twenty, it seems rather pusillanimous to take cover
behind “cribs.” I have aimed throughout rather at closeness than at
elegance. An apology of another kind may be offered for the biographical
and lexicographical details which, at the cost of some trouble, have
been incorporated in the Index. Everybody has not a classical dictionary
at hand, and probably few people have a full rhetorical lexicon. Yet it
was inevitable, in a book of this kind, that a large number of persons,
books, and words should be introduced, as to the date, the contents, the
meaning of which or of whom, the ordinary reader might require some
enlightenment. Information of the sort would have made the text
indigestible and have overballasted the notes; so I have put it in the
Index, where those who do not want it need not seek it, and where those
who seek will, I hope, find.
Public-domain text, read in full here on John Shaqi.
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