A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Nor was this least the case in respect of criticism.[198] The history of
this part of English literary evolution has been, until recently, much
neglected; and it can hardly be said even yet to have received
comprehensive attention. [Sidenote: _Backwardness of English Criticism
not implying inferiority._] It is all the more necessary to bestow some
time and pains on it here, with at least some fair hope of correcting an
unfair depreciation. The Baron of Bradwardine (displaying that shrewd
appreciation of contrast between English and Scottish characteristics
which belonged, if not to himself, to his creator) remarked to Colonel
Talbot that it was the Colonel’s “humour, as he [the Baron] had seen in
other gentlemen of birth and honour” in the Colonel’s country, “to
derogate from the honour of his burgonet.” Gentlemen of the most
undoubted birth and honour (as such things go in literature), from
Dryden to Matthew Arnold, have displayed this humour in regard to
English criticism. But there has been something too much of it; and it
has been taken far too literally by the ignorant. M. Brunetière has
expressed his opinion that Frenchmen would make _un véritable marché de
dupe_ if they exchanged Boileau, Marmontel, La Harpe, and Co. for
Lessing and some others. I shall not in this place express any opinion
on that question directly. But, if this book does what I shall endeavour
to make it do, it will at least show that to exchange, for any foreign
company, our own critics, from Sidney and Ben Jonson, through Dryden and
Addison, Samuel Johnson and Coleridge, Lamb and Hazlitt, to Mr Arnold
himself, would be “_un véritable marché de_”—Moses Primrose.
-----
Footnote 198:
The two chief monographs on this are Spingarn, _op. cit._, in the
division appurtenant (pp. 253-310), and Professor F. E. Schelling,
_Poetic and Verse Criticism of the Reign of Elizabeth_, Philadelphia,
1891. Haslewood reprinted most of the texts together in _Ancient
Critical Essays_, 2 vols., London, 1811-15, and Mr Arber the most
important separately in his _English Reprints_. Mr Gregory Smith is
now editing, for the Clarendon Press, the fullest collection yet
issued.
-----
It will have been sufficiently seen in the last volume that the
backwardness of English—a backwardness long exaggerated, but to some
extent real, and to no small extent healthy—was nowhere exhibited more
distinctly than in the department which supplies the materials of this
history. Until the close of the fifteenth century, and for some decades
afterwards, not a single critical treatise on English existed in the
English language, or even in Latin; the nearest approach, even in
fragment, to any utterance of the kind being the _naïf_ and interesting,
but only infantinely critical, remarks of Caxton in his prefaces.[199]
-----
Footnote 199:
Public-domain text, read in full here on John Shaqi.
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