A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Such as those on the “fair language of France,” and the strictures
passed by Margaret of England and Burgundy on the “default in mine
English” (_History of Troy_); on the “right good and fair English” of
Lord Rivers (_Dicts and Sayings of the Philosophers_).
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The fact is that, not only until a nation is in command of a single form
of “curial” speech for literary purposes, but until sufficient
experiments have been made in at least a majority of the branches of
literature, criticism is impossible, and would, if possible, be rather
mischievous than beneficial. [Sidenote: _Its cause._] Now England,
though it possessed at least one very great author, and more than a fair
number of respectable seconds to him, was, up to 1500 at least, in
neither case. Till the end of the fourteenth century it had been
practically trilingual; it was bilingual till past the end of the
fifteenth, if not till far into the seventeenth, so far as literature
was concerned. Nor, till the towering eminence of Chaucer had helped to
bring the vernacular into prominence, was there any one settled dialect
of primacy in the vernacular itself. Further, the fifteenth century was
nearly at its end before any bulk of prose, save on religious subjects,
was written; and for another century the proportion of translation over
original work in prose was very large indeed.
At the same time the scholastic Rhetoric—which had always played to
criticism the part of a half-faithless guardian, who keeps his pupil out
of the full enjoyment of his property, yet preserves that property in
good condition to hand over to him perforce at some future time—was
still faithfully taught.[200] [Sidenote: _The influence of Rhetoric and
other matters._] The enlarged and more accurate study of the classics at
the Revival of Learning set classical criticism once more before
students in the originals; the eager study of those originals by
Continental scholars was sure to reflect itself upon England; and,
lastly, religious zeal and other motives combined, here as elsewhere, to
make men determined to get the vernacular into as complete and useful a
condition as possible. Nowhere does the intense national spirit, which
is the glory of the Tudor period, appear more strongly than in this our
scholastic and “umbratile” division of the national life.
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Footnote 200:
There has been some disposition to deny this, and to argue that
despite the constant use of the _word_ Rhetoric in the fifteenth
century, the teaching of the _thing_ had declined. I do not think
there is much evidence of this as regards England; and the long and
curious passage of Hawes, to be presently discussed, is strong
evidence against it. Rhetoric has no less than _eight_ chapters of the
_Pastime of Pleasure_, as against _one_ apiece for Grammar and Logic.
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Public-domain text, read in full here on John Shaqi.
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