A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
“What might I call this tree? a Laurell? o bonny Laurell!
Needs to thy boughs will I bow this knee, and veil my bonetto;”
with yet another—
“Since _Galateo_[237] came in, and Tuscanism gan usurp.”
He thinks that the author of this last “wanted but some delicate choice
elegant poesy” of Sidney’s or Dyer’s for a good pattern. After some
further experiments of his own, or his brother’s, in hexametring some of
Spenser’s own “emblems” in the _Calendar_, he turns to Spenser himself,
whom, it seems, he ranks next the same “incomparable and miraculous
genius in the catalogue of our very principal English Aristarchi.” He
proceeds to speak of some of that earlier work which, as in _The Dying
Pelican_, is certainly, or in the _Dreams_, possibly, lost. After which
he writes himself down for all time in the famous passage about the
_Faerie Queene_, which he had “once again nigh forgotten,” but which he
now sends home “in neither better nor worse case than he found her.” “As
for his judgment,” he is “void of all judgment if Spenser’s _Nine
Comedies_ [also lost] are not nearer Ariosto’s than that Elvish Queene
is to the _Orlando_, which” Spenser “seems to emulate, and hopes to
overgo.” And so he ends his paragraph with the yet more famous words,
“If so be the _Faery Queene_ be fairer in your eye than the Nine Muses,
and Hobgoblin run away with the garland from Apollo, mark what I say,
and yet I will not say what I thought, but there an end for this once,
and fare you well till God or some good Angel put you in a better mind!”
Which words let all who practise criticism grave in their memories, and
recite them daily, adding, “Here, but for the grace of God——!” if they
be modest and fear Nemesis.
-----
Footnote 236:
This word, which is certainly a cousin of “balderdash,” is a good
example of the slang and jargon so often mixed with their preciousness
by the Elizabethans. Nash borrowed it from Harvey to use against him;
and the eccentric Stanyhurst even employs it in his _Virgil_.
Stanyhurst’s hexameters, by the way (_vide_ Mr Arber’s Reprint in the
_English Scholars Library_, No. 10, London, 1880), are, thanks partly
to their astounding lingo, among the maddest things in English
literature; but his prose prefatory matter, equally odd in phrase, has
some method in its madness.
Footnote 237:
La Casa’s book of etiquette and behaviour.
-----
Public-domain text, read in full here on John Shaqi.
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