A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
differences of wits, which includes the sentence already referred to.
“Such [_i.e._, haphazard and inconsistent] are all the Essayists, even
their master Montaigne.” The notes now keep close to literature
throughout in substance, though their titles (_e.g._, _Ignorantia
animæ_), and so forth, may seem wider. A heading, _De Claris Oratoribus_
(p. 26), leads to yet another of the purple passages of the book—that on
Bacon, in which is intercalated a curious _Scriptorum catalogus_,
limited, for the most part, though Surrey and Wyatt are mentioned, to
prose writers. And then for some time ethics, politics, and other
subjects, again have Ben’s chief attention.[276]
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Footnote 272:
It may be observed that the shorter aphorisms rise to the top—at least
the beginning.
Footnote 273:
“He is upbraidingly called a poet.... The professors, indeed, have
made the learning cheap.”
Footnote 274:
It is here that Ben borrows from Petronius not merely the sentiment
but the phrase, “umbratical doctor” (see vol. i. p. 244 note).
Footnote 275:
“Taylor the Water-Poet,” certainly bad enough as a poet—though not as
a man. But the selection of Spenser as the other pole is an invaluable
correction to the sweeping attack in the _Conversations_.
Footnote 276:
Perhaps, indeed, an exception should be made in favour of the section
_De malignitate Studentium_, p. 34, which reiterates the necessity of
“the exact knowledge of all virtues and their contraries” on the part
of the poet.
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