A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxySaintsbury, George
History
A history of criticism and literary taste in Europe from the earliest texts to the present day. Volume 2 (of 3), From the Renaissance to the decline of eighteenth century orthodoxy
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
We saw, in the second section of the Interchapter which served as
Conclusion to the first volume of this work, to what a point [Sidenote:
_The Critical starting-point of the Renaissance._] the Middle Ages had
brought the materials and the methods of Literary Criticism, and what
the new age with its combined opportunities might have done. We also
endeavoured to indicate generally, and so to speak, proleptically, what
it did _not_ do. It is now time to examine what it did: and in the
course of the examination to develop the reasons, the character, and the
consequences, both of its commission and of its abstention.[1]
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Footnote 1:
At the beginning of Book III. I had practically no obligations to any
general guide to confess; at the beginning of Book II. not very many.
Here, as in the case of M. Egger in regard to Book I., I have
cheerfully to acknowledge the forerunnership and help of Mr Joel Elias
Spingarn, whose _History of Literary Criticism in the Renaissance_
appeared (New York and London) in 1899. I shall have occasion to
differ with Mr Spingarn here and there; and his conception of a
History of Criticism is not mine, just as, no doubt, mine is not his.
But the obligations of the second treader of a previously untrodden
path to the first are perhaps the greatest that fall to be
acknowledged in any literary task; and I acknowledge them in Mr
Spingarn’s case to the fullest extent possible.
-----
If no period has ever been more guilty of that too usual injustice to
predecessors which we noted, it is fair to acknowledge that none had
greater temptations to such injustice. The breach between the Classical
and the Dark Ages had been almost astonishingly gradual—so gradual that
it has needed no great hardiness of paradox to enable men to deny that
there was any breach at all. On the other hand, though the breach at the
Renaissance[2] is capable of being, and has sometimes been, much
exaggerated; though it was preceded by a considerable transition period,
and though mediæval characteristics survived it long and far, yet the
turning over of the new leaf is again incontestable, and was as
necessary in the order of thought as it is certain in the sequence of
fact.
-----
Footnote 2:
The complaints sometimes made as to the ambiguity and want of
authority of this term may have some justification; but convenience
and (by this time) usage must be allowed their way.
-----
Public-domain text, read in full here on John Shaqi.
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