A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism — John Shaqi
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
The Minor Critical Papers 204
Coleridge’s examination of Wordsworth’s views 205
His critical qualifications 206
Unusual integrity of his critique 207
Analysis of it 207
The “suspension of disbelief” 208
Attitude to metre 208
Excursus on Shakespeare’s _Poems_ 210
Challenges Wordsworth on “real” and “rustic” life 210
“Prose” diction and metre again 211
Condemnation in form of Wordsworth’s theory 212
The _Argumentum ad Gulielmum_ 212
The study of his poetry 213
High merits of the examination 213
Wordsworth a rebel to Longinus and Dante 214
The _Preface_ compared more specially with the _De
Vulgari_ 215
And Dante’s practice 215
With Wordsworth’s 216
The comparison fatal to Wordsworth as a critic 217
Other critical places in Coleridge 218
The rest of the _Biographia_ 218
_The Friend_ 219
_Aids to Reflection_, &c. 220
The _Lectures on Shakespeare_, &c. 220
Their chaotic character 221
And preciousness 222
Some noteworthy things in them: general 223
And particular 224
Coleridge on other dramatists 224
The _Table Talk_ 224
The _Miscellanies_ 225
The Lecture _On Style_ 226
The _Anima Poetæ_ 227
The _Letters_ 229
The Coleridgean position and quality 230
He introduces once for all the criterion of
Imagination, realising and disrealising 231
The “Companions” 232
Southey 233
General characteristics of his Criticism 234
Reviews 235
_The Doctor_ 235
Altogether somewhat _impar sibi_ 236
Lamb 237
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