A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
Still, I am bound to say that he conveys to my mind the impression of
not quite having his soul bound up in the exercise of his critical
function. He was a little too fond of extending his love of books to
those which, as Lamb would say, are no books—of giving the children’s
bread unto dogs. Occasionally, moreover, that want of the highest
enthusiasm and sympathy, the highest inspiration, which—after the rather
ungracious and ungrateful suggestion of Coleridge—it has been usual to
urge against him, and which cannot be wholly disproved, does appear.
Some would say that this was due to his enormous reading, and to the
penal servitude for life to what was mostly hack-work, which fate and
his own matchless sense of duty imposed upon him. I do not think so; but
of course if it be said that no one with the more translunary fancies,
the nobler gusts, could have so enslaved himself, an authority[453] who
takes so high a ground must be allowed his splendid say. Anyhow, and on
the whole, we must return to the position that Southey does not hold a
very high position among English critics, and that it is easier to give
plausible reasons for the fact than entirely to understand it.[454]
[Sidenote: _Lamb._]
In criticising the criticism of Charles Lamb[455] one has to walk
warily; for is he not one of the most justly beloved of English writers,
and are not lovers apt to love more well than wisely? I shall only say
that if any be an “Agnist,” I more. Ever since I can remember reading
anything (the circumstance would not have seemed trivial to himself), I
have read and revelled in, and for nearly forty years I have possessed
in fee, a copy of the original _Elia_ of 1823, in the black morocco coat
which it put on, at least seven years before Lamb’s death, in 1827. I
have also read its contents, and all other attainable _Agnalia_, in
every edition in which I have come across them, with introductions by
“Thaunson and Jaunson,” in and on all sorts of shapes and types and
papers and bindings. I have never wearied of reading them; I am sure I
never shall weary as long as eye and brain last. That Lamb is one of the
most exquisite and delightful of critics, as of writers, is a
proposition for which I will go to the stake; but I am not prepared to
confess him as one of the very greatest in his critical capacity.
[Sidenote: _His “occultism”_]
Public-domain text, read in full here on John Shaqi.
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