A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
What is more, these Reviewers give themselves, as a rule, plenty of
room, and supply abundant extracts—things of the first importance in the
case of books, then as a rule to be found only in the old editions, and
in many cases by no means common now. The scope is wide. The first
volume gives, _inter alia_, articles on Chamberlayne (one for
_Pharonnida_ and one for _Love’s Victory_), on Crashaw and Dryden, on
Rymer and Dennis and Heinsius, on Ben Jonson and Cyrano de Bergerac, on
the _Urn Burial_, and on such mere curiosities as _The Voyage of the
Wandering Knight_. The papers throughout on Drama, from the Mysteries
onward, and including separate articles on the great Elizabethan minors,
were, till Pearson’s reprints thirty years ago, the most accessible
source of information on their subjects, and are still specially
notable; as are also the constituents of another interesting series on
Spanish Literature. The _Arcadia_ balances Butler’s _Remains_ in vol.
ii. Vaughan and Defoe, _Imitations of Hudibras_, and that luckless
dramatist and mad but true poet, Lee,[547] have their places in the
Third, where also some one (though he came a little too early to know
the _Chansons de gestes_, and so did not put “things of Charlemagne” in
their right order) has an interesting article on the Italian compilation
_La Spagna_. I should like to continue this sampling throughout the
sixteen volumes, but space commands only a note on the rest in
detail.[548]
Nor are they afraid of more general discussion. In the above-mentioned
article on John Dennis there is a long passage which I do not remember
to have seen anywhere extracted, dealing in a singularly temperate and
reasonable fashion with the “off-with-his-head” style of criticism put
in fashion by the _Edinburgh_; and others will be easily found. But they
do not as a rule lay themselves out much for “preceptive” criticism. It
is the _other_ new style of intelligent and well-willing interpretation
to which they incline, and they carry it out with extraordinary ability
and success. To supply those who may not have time, opportunity, or
perhaps even inclination to read more or less out-of-the way originals
with some intelligible and enjoyable knowledge of them at second-hand;
to prepare, initiate, and guide those who are able and willing to
undertake such reading; to supply those who have actually gone through
it with estimates and judgments for comparison and appreciation—these
may be said to be their three objects. Some people may, of course, think
them trivial objects or unimportant; to me, I confess, they seem to be
objects extremely well worth attaining, and here very well attained. The
papers in the _Retrospective Review_, be it remembered, anticipated
Sainte-Beuve himself (much more such later English and American
practitioners as Mr Arnold, who was not born, and Mr Lowell, who was but
a yearling when it first appeared) in the production of the full
Public-domain text, read in full here on John Shaqi.
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