A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
there is an impressiveness, an air of reflection and serenity, in
Browne’s writings which redeem many of his faults.”[563] The sentence
that “_Gondibert_ is better worth reading than _The Purple Island_,
though it may have less of that which distinguishes a poet from another
man”—in other words, that an unpoetical poem is better worth reading
than a poetical one—is sufficiently tell-tale. It is not surprising,
after it, that Hallam speaks respectfully of Rymer—a point where
Macaulay, so often his disciple, fortunately left him.
[Sidenote: _His central weakness,_]
Something, it has been said, will inevitably emerge from these
utterances on a tolerably intelligent consideration. Hallam has abundant
erudition, much judicial quality, a shrewdness which generally guides
him more or less right in points of fact; sense; fairness; freedom from
caprice—even (except as regards the Middle Ages, and especially mediæval
Latin and its ancestors back to the late Silver Age) a certain power of
regarding literature impartially. But he has, as is so often done (he
alludes to the fact himself somewhere), spoken his own doom in words
which he applies (with remarkable injustice as it happens) to
Fontenelle. He has “cool good sense, and an incapacity, by natural
privation, of feeling the highest excellence in works of taste.”
[Sidenote: _and the value left by it._]
In short, “The Act of God”: and for such acts it is as unreasonable as
it is indecent to blame their victims. But at the same time we may carry
our forbearance to natural privations too far by accepting blind men as
guides in precipitous countries, or using as a bloodhound a dog who has
no scent. And therefore it is impossible to assign to Hallam a high
place as a critic. He may be—he is—useful even in this respect as a
check and a reminder of the views which once were taken by men of wide
information, excellent discipline, literary disposition, and (where it
was not seared or paralysed) positive taste; but he will not soon
recover any other value. Even thus he is to a critic that always
critically estimable thing a _point de repère_, and in the kindred but
not identical function of literary historian, the praise which was given
to him at the opening of this notice may be maintained in spite of, and
not inconsistently with, anything that has been said meanwhile.[564]
Nay, more, Specialism has made such inroads upon us—has bondaged the
land to such hordes of robber-barons—that we may not soon expect again,
and may even regard with a tender _desiderium_, the width, the justice,
the far-reaching and self-sufficing survey and sovereignty of Hallam.
CHAPTER II.
MIL-HUIT-CENT-TRENTE.
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