A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
In fact, by about 1845[585] he had very nearly developed his full
powers, and he was shaking off the awkward transition state when he had
ceased to be _romantique à plusieurs_ (he never was _à tous_) _crins_,
and not yet become himself, and himself only. He had almost accomplished
the _causerie_, the mixture of biography, and criticism, and “talk about
it,” which Dryden, I maintain, is the first to have actually hit upon,
which Johnson had strengthened but a little stiffened in the _Lives_,
and which he himself re-fashioned by taking hints of depth and insight
from Coleridge and the English Companions, touches of grace and
_engouement_ out of a score of French eighteenth-century critics, from
Fontenelle and Diderot down to Fontanes and Daunou, adding knowledge of
literary history, and a not too peremptory theory of time and _milieu_,
from the Germans and the ambient air, enthusiasm from the still
smouldering hearth of the deserted _cénacle_, and that magic and
indefinable dose, that “little of my own sauce,” as Mrs Tibbs has it,
which genius provides, and of which it keeps the secret. His ability to
concoct this mixture, or rather to produce this new organism, had been
by this time almost fully shown; but the final proof was given, and the
new kind was definitely named and sent abroad, only after the
composition of the most substantive work (except _Port-Royal_) which he
had yet attempted, and the best—itself displaying the gifts he had now
acquired in the fullest measure. Probably the critical moment was
hastened, as so often happens, by an external catastrophe, the upset of
the July Monarchy, and by that transplantation into Belgium for a time
which, though he has put the best face on it, was certainly an exile,
and by no means wholly a voluntary one.
[Sidenote: _Port-Royal,_]
We must, however, first take some notice of _Port-Royal_, which, either
by cause or coincidence, was also the product of a journey, if not an
exile, being originally delivered in the form of lectures at Lausanne.
It[586] is, of course, the most important and substantive single work of
its author—the only one, in fact, to which the older and more exacting
definition of a _book_ would have shown itself complaisant. It occupied,
with completions and revisions, twenty years of his life; it contains
perhaps the most elaborate and masterly exposition of that system of
combined literary, historical, and social inquiry into the life of a
period which he did so much to introduce, and so much more to establish
as a literary Kind; and it expresses and registers notably those changes
of opinion which made him, in the last two decades of his life, an
exponent of an almost entirely _irreligious_ view of life itself. With
this aspect of it we do not here concern ourselves; but the book has far
too much which does directly concern us, in the strictest construction
of our own plan, not to receive detailed attention.
[Sidenote: _its literary episodes._]
Public-domain text, read in full here on John Shaqi.
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