A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
I do not know that those “older and more exacting definitions,” which
have been just referred to, would pass, without demur, the features
which make it of this importance to us. It is true that many, if not
most, of the more distinguished men of letters of that century which, in
the general judgment, has been regarded as the greatest century of
letters in France, had more or less connection with Port Royal: nay,
more, that not a few of the Port Royalists of the outer and even inner
circles were great men of letters themselves. But whether this entirely
justifies (to take examples from the first two volumes only) the
inclusion in the book of analyses of _Polyeucte_ and _Saint-Genest_,
which would be ample for extensive monographs on Corneille and Rotrou
respectively,—of an elaborate study of the elder Balzac of which the
same may be said,—is a very arguable point. Still, the inclusion gives
us the book; and, even if it did not, I am not inclined to be
strait-laced on these points, or to chicane about the relation of the
episodes to the epic.
Let us then be as kind to Sainte-Beuve as he was to himself, and admit
what (feeling, I suppose, uneasy) he pleads at vol. ii. p. 107, “Nous
voici, ce semble, bien loin de Port Royal; pas si loin que l’on croit”—
that the spirit of the two plays is quite Port-Royalist, that Balzac
wrote letters to M. de Saint-Cyran (so he did to most people, but no
matter), that Pascal, Nicole, Racine come in of course; that even the
_Mémoires de Grammont_ are not quite extraneous, for was not _la belle_
Hamilton herself (despite her _nez retroussé_ and her Cupid’s-bow mouth)
educated there? We are, in short, to take our literary goods as we find
them, and as fate and the author provide: and they certainly provide
them in plenty. No detailed examinations of Sainte-Beuve’s are more
careful than those of the two plays. If he is a little hard, in the
text, on that Christian (and semi-Gascon) Socrates, and writer of most
handsome letters, who dwelt on the banks of the Charente, he repairs it
in an appendix. The references to minor Louis XIII. literature (though
injured by Sainte-Beuve’s dislike to quaintness) are never to be missed:
and it is needless to say the same of the whole dealing with Pascal, and
of the chapters devoted to the famous labours of the Port-Royalists
themselves, in literary and philosophical education. Tillemont, if not
exactly a lion in literature, is one of the greatest of lion’s providers
therein, and Nicole cannot be denied the title of man of letters.
Malebranche comes in as an opponent, Racine as a pupil, though as an
ungrateful pupil: and on all these and others Sainte-Beuve indulges in
literary excursus of all but his best kind.
[Sidenote: _On Racine._]
Public-domain text, read in full here on John Shaqi.
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