A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticismSaintsbury, George
History
A history of criticism and literary taste in Europe, from the earliest texts to the present day. Volume 3 (of 3), Modern criticism
Saintsbury, George
Criticism -- History; Literature -- History and criticism; Literature, Medieval
As a matter of fact, the original enterprise of the weekly _Causerie_
did in a manner finish with this first issue. For five years
Sainte-Beuve had kept neck and neck with the enemy. His work afterwards
was more intermittent, and even underwent a cessation of some years when
he was lecturer at the École Normale, between 1857 and 1861. The last
four volumes of the actual _Causeries_ are made up from different
sources: though the bulk of the constituents are of the true breed.
Among them are some of Sainte-Beuve’s most interesting studies of the
past—“Ronsard” (revisited), “Saint Amant,” “Voiture,” “Vauvenargues,”
“Villon”—and some of his most famous papers on contemporaries, such as
those on Musset and the Guérins. The last volume of all contains two of
the most valuable of those invaluable papers on criticism in general, to
which we have drawn attention already, that on Nisard’s _History_ and
that on _La Tradition en Littérature_. But perhaps the special appeal of
these appendix-volumes is the appearance of articles on books and
authors that are still in a manner modern—on _Madame Bovary_, on
_Fanny_,[603] on M. de Banville, on M. Scherer.
[Sidenote: _The_ Nouveaux Lundis.]
And when the series began again regularly, after this interruption, with
the _Nouveaux Lundis_ in 1861, he formally promised or threatened a
recrudescence into criticism “truer” and “franker” and more regardless
of contemporary protest.
One may be sorry for this, even though the particular ashes are long
cooled. Although Sainte-Beuve’s “malignity” was, as has been said,
absurdly, and is still sometimes inexcusably, exaggerated, he was far
from free from those _iræ_ from which the something less than celestial
spirit of the critic so seldom escapes.[604] There is a sort of
“rankle,” a kind of distant growl of “That’s _my_ thunder,” in his
review at the time of M. Rigault’s _Querelle_, in his later obituary of
the author, and even elsewhere: the first paper of the _Nouveaux Lundis_
on Laprade is openly and almost rudely hostile: while the critic
proceeds later to exchange fresh broadsides with M. de Pontmartin.
Public-domain text, read in full here on John Shaqi.
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