A history of English literature : $b A practical text-bookAlbert, Edward
History
A history of English literature : $b A practical text-book
Albert, Edward
English literature -- History and criticism
=2. Diversity of the Work.= One can best appreciate the vastness
and complexity of the Bible by recollecting that it is not a single
book, but an entire literature, or even two literatures, for both
in time and temper the New Testament is separated from the Old.
The different books of the Bible were composed at widely different
times, and many hands worked at them. Their efforts resulted in a
huge collection of all the main species of literature--expository,
narrative, and lyrical. These will be noticed in their order below.
=3. Unity of the Work.= If the Bible were a collection of discordant
elements it would not possess its peculiar literary attraction. In
spite of the diversity of its sources it has a remarkable uniformity
of treatment and spirit. The core and substance of the entire work
is the belief and delight in the Divine Spirit; and, added to this,
especially in the Old Testament, a fiery faith in the pre-eminence of
the Jewish race. With regard to the literary style, from cover to cover
it is almost unvaried: firm, clear, simple, dignified, and thoroughly
English. It represents the broad and stable average of the labors of
generations of devout and ardent men; and it endureth unshaken.
=4. The Expository Portions.= Considered from the purely literary
point of view, the expository parts (that is, those that contain
exhortation, information, or advice) are of least importance. In
bulk they are considerable, and include the Book of Deuteronomy in
the Old Testament and the Pauline Epistles in the New. They have all
the distinction of the Biblical style, and they are expressed with
clearness, dignity, and precision.
=5.= The =narrative portions= include the bulk of the Bible, and
are of great literary interest and value. In the Old Testament they
comprise the Pentateuch and many other books, and in the New Testament
they include the Gospels and the Acts of the Apostles. The tone of
the Old Testament differs somewhat from that of the New. As can be
supposed, the former is often harsher in note, and is sometimes
confused and contradictory (from the unsatisfactory condition of some
of the texts); the New Testament narrative, which came under the
influence of the Greek, is more scholarly and liberal in tone. Both,
however, have a breadth, solidity, and noble austerity of style that
make the Biblical narrative stand alone. It is perhaps unnecessary to
quote, but one short specimen may not be out of place:
Then took they him, and led him, and brought him into the high
priest’s house. And Peter followed afar off.
And when they had kindled a fire in the midst of the hall, and
were set down together, Peter sat down among them.
But a certain maid beheld him as he sat by the fire, and
earnestly looked upon him, and said, This man was also with him.
And he denied him, saying, Woman, I know him not.
And, after a little while, another saw him, and said, Thou art
also of them. And Peter said, Man, I am not.
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