The present volume consists, in substance, of a series of lectures given in elective courses in Yale College. In revising it for publication I have striven to rid it of the air of the lecture room, but a few repetitions and didacticisms of manner may have inadvertently been left in. Some of the methods and results of these studies have already been given to the public in "The Beginnings of the English Romantic Movement," by my present associate and former scholar, Professor William Lyon Phelps. Professor Phelps' little book (originally a doctorate thesis) follows, in the main, the selection and arrangement of topics in my lectures. _En revanche_ I have had the advantage of availing myself of his independent researches on points which I have touched but slightly; and particularly of his very full treatment of the Spenserian imitations. I had at first intended to entitle the book "Chapters toward a History of English Romanticism, etc."; for, though fairly complete in treatment, it makes no claim to being exhaustive. By no means every eighteenth-century writer whose work exhibits romantic motives is here passed in review. That very singular genius William Blake, _e.g._, in whom the influence of "Ossian," among other things, is so strongly apparent, I leave untouched; because his writings--partly by reason of their strange manner of publication--were without effect upon their generation and do not form a link in the chain of literary tendency. If this volume should be favorably received, I hope before very long to publish a companion study of English romanticism in the nineteenth century. H.A.B. _October, 1898._ CONTENTS Chapter I. The Subject Defined II. The Augustans III. The Spenserians IV. The Landscape Poets V. The Miltonic Group VI. The School of Warton VII. The Gothic Revival VIII. Percy and the Ballads IX. Ossian X. Thomas Chatterton XI. The German Tributary A HISTORY OF ENGLISH ROMANTICISM CHAPTER I. The Subject Defined