A History of English Romanticism in the Eighteenth CenturyBeers, Henry A. (Henry Augustin)
History
A History of English Romanticism in the Eighteenth Century
Beers, Henry A. (Henry Augustin)
English literature -- 18th century -- History and criticism; Romanticism -- Great Britain -- History -- 18th century
The result of the researches was "Fingal, an Ancient Epic Poem in Six
Books: Together with several other poems, composed by Ossian the son of
Fingal. Translated from the Gaelic language by James MacPherson,"
London, 1762; together with "Temora, an Ancient Epic Poem in Eight
Books," etc., etc., London, 1763. MacPherson asserted that he had made
his versions from Gaelic poems ascribed to Ossian or Oisin, the son of
Fingal or Finn MacCumhail, a chief renowned in Irish and Scottish song
and popular legend. Fingal was the king of Morven, a district of the
western Highlands, and head of the ancient warlike clan or race of the
Feinne or Fenians. Tradition placed him in the third century and
connected him with the battle of Gabhra, fought in 281. His son,
Ossian, the warrior-bard, survived all his kindred. Blind and old,
seated in his empty hall, or the cave of the rock; alone save for the
white-armed Malvina, bride of his dead son, Oscar, he struck the harp and
sang the memories of his youth: "a tale of the times of old."
MacPherson translated--or composed--his "Ossian" in an exclamatory,
abrupt, rhapsodical prose, resembling somewhat the English of Isaiah and
others of the books of the prophets. The manners described were heroic,
the state of society primitive. The properties were few and simple; the
cars of the heroes, their spears, helmets, and blue shields; the harp,
the shells from which they drank in the hall, etc. Conventional compound
epithets abound, as in Homer: the "dark-bosomed" ships, the "car-borne"
heroes, the "white-armed" maids, the "long-bounding" dogs of the chase.
The scenery is that of the western Highlands; and the solemn monotonous
rhythm of MacPherson's style accorded well with the tone of his
descriptions, filling the mind with images of vague sublimity and
desolation: the mountain torrent, the dark rock in the ocean, the mist on
the hills, the ghosts of heroes half seen by the setting moon, the
thistle in the ruined courts of chieftains, the grass whistling on the
windy heath, the blue stream of Lutha, and the cliffs of sea-surrounded
Gormal. It was noticed that there was no mention of the wolf, common in
ancient Caledonia; nor of the thrush or lark or any singing bird; nor of
the salmon of the sealochs, so often referred to in modern Gaelic poetry.
But the deer, the swan, the boar, eagle, and raven occur repeatedly.
Public-domain text, read in full here on John Shaqi.
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