True, the later movement was much the weaker of the two. No such fissure yawned between modern times and the Middle Ages as had been opened between the ancient world and the Middle Ages by the ruin of the Roman state and by the barbarian migrations. Nor had ten centuries of rubbish accumulated over the remains of mediaeval culture. In 1700 the Middle Ages were not yet so very remote. The nations and languages of Europe continued in nearly the same limits which had bounded them two centuries before. The progress in the sciences and mechanic arts, the discovery and colonizing of America, the invention of printing and gunpowder, and the Protestant reformation had indeed drawn deep lines between modern and mediaeval life. Christianity, however, formed a connecting link, though, in Protestant countries, the continuity between the earlier and later forms of the religion had been interrupted. One has but to compare the list of the pilgrims whom Chaucer met at the Tabard, with the company that Captain Sentry or Peregrine Pickle would be likely to encounter at a suburban inn, to see how the face of English society had changed between 1400 and 1700. What has become of the knight, the prioress, the sumner, the monk, pardoner, squire, alchemist, friar; and where can they or their equivalents be found in all England? The limitations of my subject will oblige me to treat the English romantic movement as a chapter in literary history, even at the risk of seeming to adopt a narrow method. Yet it would be unphilosophical to consider it as a merely aesthetic affair, and to lose sight altogether of its deeper springs in the religious and ethical currents of the time. For it was, in part, a return of warmth and color into English letters; and that was only a symptom of the return of warmth and color--that is, of emotion and imagination--into English life and thought: into the Church, into politics, into philosophy. Romanticism, which sought to evoke from the past a beauty that it found wanting in the present, was but one phase of that revolt against the coldness and spiritual deadness of the first half of the eighteenth century which had other sides in the idealism of Berkeley, in the Methodist and Evangelical revival led by Wesley and Whitefield, and in the sentimentalism which manifested itself in the writings of Richardson and Sterne. Corresponding to these on the Continent were German pietism, the transcendental philosophy of Kant and his continuators, and the emotional excesses of works like Rousseau's "Nouvelle Heloise" and Goethe's "Sorrows of Werther."