The same modification of types took place later in other parts of the Midlands, as appears from two works of the early sixteenth century, _Scottish Field_ and _Death and Life_ (Bishop Percy's Folio MS., edited by Furnivall and Hales, i. 199 and iii. 49). The last North-English or rather Scottish poem, on the other hand, written in alliterative lines without rhyme, Dunbar's well-known Satire, _The twa mariit wemen and the wedo_, has, apart from the normal types occurring in the North-English poems, many variants, chiefly in the first hemistich, which are characterized by lengthy unaccented parts both at the beginning of the line, before the second arsis, and after it; frequently too syllables forming the thesis have a secondary accent and even take part in the alliteration, as e.g. in the following examples: _=Ȝ=aip and =ȝ=íng, in the =ȝ=ók | ane =ȝ=éir for to dráw._ 79. _Is =b=àir of =b=lís and =b=áilfull, | and greit =b=árrat wírkis_. 51. Sometimes the second hemistich participates in this cumulation of alliterating words, which not unfrequently extends over several, even as many as six or seven consecutive lines: _He =g=ráythit me in =g=áy silk | and =g=údlie arráyis, In =g=ównis of in=g=ránit clayth | and =g=reit =g=óldin chénȝeis._ 365-6. This explains how King James VI came to formulate the metrical rule mentioned above (p. 89) from the misuse of alliteration by the last poets who used the alliterative line, or the alliterative rhyming line to be discussed in the next paragraph, which shares the same peculiarity. B. The alliterative line combined with rhyme.