A History of English VersificationSchipper, J. (Jakob)
History
A History of English Versification
Schipper, J. (Jakob)
English language -- Versification; English poetry -- History and criticism
of exactly equal force[64] they are always prominently distinguished
from the unaccented members of the hemistich, the rhythm of which would
be marred by the introduction of an additional beat however slightly
marked.
Cases in which the two chief beats of the hemistich are not of exactly
the same force occur when two accented syllables, either both with
chief accent or one with chief and the other with secondary accent,
stand in immediate juxtaposition, not separated by an unaccented
syllable. The second of these two accented syllables may be a short
syllable with chief accent, instead of a long syllable as is the rule.
But in either case, whether long or short, this second beat following
at once on the first beat is usually uttered with somewhat less force
than the first, as can be seen from examples like _gebū́n hǽfdon_,
Beow. 117; _tō hā́m fáran_, 121; _mid ǣ́rdǽge_, 126. The
second beat rarely predominates over the first. The cause of this
variation in the force of the two beats is to be sought in the laws of
the syntactical accent.
In other respects verse-members with a secondary accent obey the same
laws as those with a primary accent. They usually consist of one long
syllable, but if a member which has the arsis immediately precedes, a
short syllable with a secondary accent may be substituted. Resolution
of such verse members is rare, which shows that they are more closely
related to the thesis than to the arsis of the hemistich. One unaccented
syllable is sufficient to form the thesis (×), but the thesis may also
have two or more unaccented syllables (× ×, × × × ..), their number
increasing in proportion to their shortness and the ease with which they
can be pronounced, provided always that no secondary accent intervenes.
All of these unaccented syllables are reckoned together as one thesis,
as against the accented syllable or arsis. The single components of such
a longer thesis may exhibit a certain gradation of force when compared
with one another, but this degree of force must never equal the force
with which the arsis is pronounced, though we sometimes find that,
owing to the varying character of the syntactical or sentence accent,
a monosyllable which in one case stands in the thesis, may in another
connexion bear the secondary or even the primary accent.
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