A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
Produced by Ron Swanson
Short Histories of the Literatures of the World: II.
Edited by Edmund Gosse
A History of
FRENCH LITERATURE
BY
EDWARD DOWDEN
D.LITT., LL.D. (DUB.), D.C.L. (OXON.), LL.D. (EDIN.)
LL.D. (PRINCETON)
PROFESSOR OF ENGLISH LITERATURE IN THE UNIVERSITY OF DUBLIN
London
WILLIAM HEINEMANN
MCMXIV
_First Edition_, 1897
_New Impressions_, 1899, 1904, 1907, 1911, 1914
_Copyright, London_ 1897, _by William Heinemann_
PREFACE
French prose and French poetry had interested me during so many years
that when Mr. Gosse invited me to write this book I knew that I was
qualified in one particular--the love of my subject. Qualified in
knowledge I was not, and could not be. No one can pretend to know
the whole of a vast literature. He may have opened many books and
turned many pages; he cannot have penetrated to the soul of all books
from the _Song of Roland_ to _Toute la Lyre_. Without reaching its
spirit, to read a book is little more than to amuse the eye with printed
type.
An adequate history of a great literature can be written only by
collaboration. Professor Petit de Julleville, in the excellent
_Histoire de la Langue et de la Litterature Francaise_, at present
in process of publication, has his well-instructed specialist for
each chapter. In this small volume I too, while constantly exercising
my own judgment, have had my collaborators--the ablest and most
learned students of French literature--who have written each a part
of my book, while somehow it seems that I have written the whole.
My collaborators are on my shelves. Without them I could not have
accomplished my task; here I give them credit for their assistance.
Some have written general histories of French literature; some have
written histories of periods--the Middle Ages, the sixteenth,
seventeenth, eighteenth, nineteenth centuries; some have studied
special literary fields or forms--the novel, the drama, tragedy,
comedy, lyrical poetry, history, philosophy; many have written
monographs on great authors; many have written short critical studies
of books or groups of books. I have accepted from each a gift. But
my assistants needed to be controlled; they brought me twenty thousand
pages, and that was too much. Some were accurate in statement of fact,
but lacked ideas; some had ideas, but disregarded accuracy of
statement; some unjustly depreciated the seventeenth century, some
the eighteenth. For my purposes their work had to be rewritten; and
so it happens that this book is mine as well as theirs.
Public-domain text, read in full here on John Shaqi.
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