A History of French Literature: Short Histories of the Literatures of the World: II. — John Shaqi
A History of French Literature: Short Histories of the Literatures of the World: II.Dowden, Edward
History
A History of French Literature: Short Histories of the Literatures of the World: II.
Dowden, Edward
French literature -- History and criticism
Neptune, Beelzebub, and a crowd of allegorical personages. But the
battles and _debats_ of a chivalric age were not only religious; there
are battles of wine and water, battles of fast and feasting, battles
of the seven arts. A disputation between the body and the soul, a
favourite subject for separate treatment by mediaeval poets, is found
also in one of the many sermons in verse; the _Debat des Trois Morts
et des Trois Vifs_ recalls the subject of the memorable painting in
the Campo Santo at Pisa.
II
SERMONS
The Latin sermons of the Middle Ages were countless; but it is not
until Gerson and the close of the fourteenth century that we find
a series of discourses by a known preacher written and pronounced
in French. It is maintained that these Latin sermons, though prepared
in the language of the Church, were delivered, when addressed to lay
audiences, in the vernacular, and that those composite sermons in
the macaronic style, that is, partly in French, partly in Latin, which
appear in the thirteenth century and are frequent in the fifteenth,
were the work of reporters or redactors among the auditory. On the
other hand, it is argued that both Latin and French sermons were
pronounced as each might seem suitable, before the laity, and that
the macaronic style was actually practised in the pulpit. Perhaps
we may accept the opinion that the short and simple homilies designed
for the people, little esteemed as compositions, were rarely thought
worthy of preservation in a Latin form; those discourses which remain
to us, if occasionally used before an unlearned audience, seem to
have been specially intended for clerkly hearers. The sermons of St.
Bernard, which have been preserved in Latin and in a French
translation of the thirteenth century, were certainly not his
eloquent popular improvisations; they are doctrinal, with crude or
curious allegorisings of Holy Scripture. Those of Maurice de Sully,
Archbishop of Paris, probably also translated from the Latin, are
simpler in manner and more practical in their teaching; but in these
characteristics they stand apart from the other sermons of the twelfth
century.
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