It is unjust to the Pleiade to say that they aimed at overloading poetic diction with neologisms of classical origin; they sought to innovate with discretion; but they unquestionably aimed at the formation of a poetic diction distinct from that of prose; they turned away from simplicity of speech to ingenious periphrasis; they desired a select, aristocratic idiom for the service of verse; they recommended a special syntax in imitation of the Latin; for the elder forms of French poetry they would substitute reproductions or re-creations of classical forms. Rondeaux, ballades, virelais, chants royaux, chansons are to be cast aside as _epiceries_; and their place is to be taken by odes like those of Pindar or of Horace, by the elegy, satire, epigram, epic, or by newer forms justified by the practice of Italian masters. Rich but not over-curious rhymes are to be cultivated, with in general the alternation of masculine and feminine rhymes; the caesura is to fall in accordance with the meaning. Ronsard, more liberal than Du Bellay, permits, on the ground of classical example, the gliding from couplet to couplet without a pause. "The alexandrine holds in our language the place of heroic verse among the Greeks and Romans"--in this statement is indicated the chief service rendered to French poetry by Ronsard and the rest of the Pleiade; they it was who, by their teaching and example, imposed on later writers that majestic line, possessing the most varied powers, capable of the finest achievements, which has yielded itself alike to the purposes of Racine and to those of Victor Hugo.