A History of Giggleswick School from its Foundation, 1499 to 1912Bell, Edward Allen
History
A History of Giggleswick School from its Foundation, 1499 to 1912
Bell, Edward Allen
Giggleswick School (Giggleswick, England) -- History
The mind must go back three centuries in the history of the School to
find a parallel to this gift, and even then no individual example will
stand comparison. The difficulties of the work were great, but were
surmounted with complete success. The Chapel is a striking and beautiful
landmark. The Building was begun in 1897, and the foundation stone was
laid with some ceremony on October 7, by the Duke of Devonshire, and
work proceeded for four years without interruption.
There are many interesting features about the building, and no expense
was spared to get the very best material. In the interior all the
fittings and seats were made of cedar wood imported direct from Tucuman,
a Province in the Argentine. Two Bronze Statues, one of Queen Victoria
and one of Edward VI were designed by Mr. George Frampton, A.R.A., and
placed in niches over the west door. A cast of the one of Edward VI was
given by the sculptor and placed in Big School. The main feature of the
interior is one broad aisle in the centre, balanced on either side by
two passage aisles, and the centre of the broad aisle is paved with
black and white marble. At the West end are eight stalls with carved and
pierced standards to the canopies.
The Organ was the last instrument built under the direction of Mr. Henry
Willis--Father Willis--and its construction was superintended by Sir
Walter Parratt. The outside pipes are made of spotted metal, and the
organ has three manuals. The Pulpit was put in later standing at the
North-West end of the Choir it is visible to the whole congregation.
The Dome was constructed in a way, hitherto probably untried in Europe,
it was built without centering, on a principle of interlocking blocks of
terra cotta. The outside is of timber covered with copper; inside on the
lower part with a gold background are mosaics of sixteen angels. They
are slightly over six feet high, and are represented as playing musical
instruments; their wings cross one another and give a fine pattern of
colour. In the pendentives are seated figures of the four Evangelists.
These were all worked, not from the back as is usual, but from the face,
and each was fixed on the vault bit by bit.
[Illustration: JAMES CARR.]
[Illustration: THE CHAPEL DOME.]
The glass has special interest. The East Window contains subjects from
the Life of our Lord, and the South Transept Window contains figures of
James Carr, Edward VI, Josias Shute, Archdeacon Paley, the Headmaster
and Mr. Morrison. The Clerestory Windows contain in groups of threes,
Christian worthies of various times.
NORTH SIDE. SOUTH SIDE.
1. MARTYRS. 4. WARRIORS.
Sir Thomas More. Sir Philip Sidney.
King Edmund. King Alfred.
Bishop Latimer. General Gordon.
2. DIVINES. 5. MISSIONARIES.
John Bunyan. Henry Martin.
John Wycliffe. Columba.
John Wesley. Livingstone.
Public-domain text, read in full here on John Shaqi.
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