A History of Greek Art: With an Introductory Chapter on Art in Egypt and MesopotamiaTarbell, F. B. (Frank Bigelow)
History
A History of Greek Art: With an Introductory Chapter on Art in Egypt and Mesopotamia
Tarbell, F. B. (Frank Bigelow)
Art, Greek -- History
There are several groups of pyramids, large and small at Gizeh and
elsewhere, almost all of which belong to the Old Empire. The
three great pyramids of Gizeh are among the earliest. They were
built by three kings of the Fourth Dynisty, Cheops (Chufu),
Chephren (Chafre), and Mycerinus (Menkere) They are gigantic
sepulchral monuments in which the mummies of the kings who built
them were deposited. The pyramid of Cheops (Fig. 1, at the right),
the largest of all, was originally 481 feet 4 inches in height,
and was thus doubtless the loftiest structure ever reared in pre-
Christian times. The side of the square base measured 755 feet 8
inches. The pyramidal mass consists in the main of blocks of
limestone, and the exterior was originally cased with fine
limestone, so that the surfaces were perfectly smooth. At present
the casing is gone, and instead of a sharp point at the top there
is a platform about thirty feet square. In the heart of the mass
was the granite chamber where the king's mummy was laid. It was
reached by an ingenious system of passages, strongly barricaded.
Yet all these precautions were ineffectual to save King Cheops
from the hand of the spoiler. Chephren's pyramid (Fig. 1, at the
left) is not much smaller than that of Cheops, its present height
being about 450 feet, while the height of the third of this group,
that of Mycerinus, is about 210 feet. No wonder that the pyramids
came to be reckoned among the seven wonders of the world.
While kings erected pyramids to serve as their tombs, officials of
high rank were buried in, or rather under, structures of a
different type, now commonly known under the Arabic name of
mastabas. The mastaba may be described as a block of masonry of
limestone or sun-dried brick, oblong in plan, with the sides
built "battering," i.e., sloping inward, and with a flat top. It
had no architectural merits to speak of, and therefore need not
detain us. It is worth remarking, however, that some of these
mastabas contain genuine arches, formed of unbaked bricks. The
knowledge and use of the arch in Egypt go back then to at least
the period of the Old Empire. But the chief interest of the
mastabas lies in the fact that they have preserved to us most of
what we possess of early Egyptian sculpture. For in a small,
inaccessible chamber (serdab) reserved in the mass of masonry were
placed one or more portrait statues of the owner, and often of his
wife and other members of his household, while the walls of
another and larger chamber, which served as a chapel for the
celebration of funeral rites, were often covered with painted bas-
reliefs, representing scenes from the owner's life or whatever in
the way of funeral offering and human activity could minister to
his happiness.
Public-domain text, read in full here on John Shaqi.
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