A History of Inventions, Discoveries, and Origins, Volume 1 (of 2) — John Shaqi
A History of Inventions, Discoveries, and Origins, Volume 1 (of 2)Beckmann, Johann
History
A History of Inventions, Discoveries, and Origins, Volume 1 (of 2)
Beckmann, Johann
Inventions -- History
Jaquin once observed, at his estate near Passy, that when those small
fish called _ables_ or _ablettes_ were washed, the water was filled
with fine silver-coloured particles. He suffered this water therefore
to stand for some time, and obtained from it a sediment which had the
lustre of the most beautiful pearls; and which on that account led him
to the attempt of making pearls from it[781]. He scraped off the scales
of the fish, and called the soft shining powder, which was diffused in
the water, essence of pearl, or _essence d’orient_[782]. At first he
covered with it small beads made of gypsum, or hardened paste; and, as
everything new, particularly in France, is eagerly sought after, this
invention was greatly admired and commended. The ladies, however, for
whose use it was chiefly intended, soon found that it did not entirely
answer their expectations. They were displeased because this pearly
coat, when exposed to heat, separated from the beads, adhered to the
skin, and gave it a brightness which they did not wish. They proposed
themselves, that small hollow glass beads might be covered, in the
inside, in the same manner as mirrors are silvered, with the essence of
pearl; and thus was brought to perfection an art of which the following
account will enable the reader to form some idea.
Of a kind of glass easy to be melted, and made sometimes a little
bluish or dark, slender tubes are prepared, which are called
_girasols_[783]. From these the artist blows, by means of a lamp, as
many small hollow globules as he may have occasion for. One workman can
in a day blow six thousand; but when they are required to be extremely
beautiful, only twelve or fifteen hundred; and that they may have a
greater resemblance to nature, he gives them sometimes blemishes, like
those generally observed in real pearls. They are made on all figures;
some shaped like a pear, others like an olive, and some that may be
considered as _coques de perles_[784]. To overlie these thin glass
bubbles he mixes the pearl essence with a solution of isinglass; and
the more of the former he uses, the more beautiful and more valuable
the pearls become. This varnish, when heated, he blows into each
globule with a fine glass pipe, and spreads it over the whole internal
surface, by shaking the pearls thus prepared in a vessel placed over
the table where he is at work, and which he puts in motion by his foot,
until the varnish is equally diffused all over the inside of them,
and becomes dry. Sometimes he adds to the essence some red, yellow,
or blue colour; but as this is a deviation from nature, it is not
accounted a beauty. To give these tender globules more solidity and
strength, they are filled with white wax. They are then bored through
with a needle, and threaded in strings for sale. The holes in the finer
sort, however, are first lined with thin paper, that the thread may not
adhere to the wax[785].
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