The history of chivalric poetry is especially interesting, as it in all probability exactly repeats that of the Homeric epic. While the great events, the siege of Troy and the Saracen invasion of France, are being really enacted, we have no poetry at all. After two or three centuries ballads appear, disfiguring genuine history, and shifting its centre of gravity to incidents unimportant in themselves, but susceptible of poetical treatment. After two or three more, poets arise who embellish these romances, bestow poetical form upon them, and work them into consistent wholes. Had Italy been no further advanced than Greece at the corresponding epoch, the poems of Boiardo and Ariosto would have braved two centuries of oral recitation, and come much corrupted and interpolated into the hands of some Aristarchus who would have given them their final form. The invention of printing suppressed this ultimate stage of development, but encouraged the growth of imitators, whom it preserved from annihilation, while unable to preserve them from oblivion. FOOTNOTES: [14] _Parva sed apta mihi, sed nulli obnoxia; sed non Sordida, parta meo sed tamen aere domus._ [15] _Joltings of the heart, like wine Poured from a flask of narrow neck._ See _Orlando Furioso_, canto xxiii. st. 113. CHAPTER XII MACHIAVELLI AND GUICCIARDINI We have now traversed nearly three centuries of Italian literature without encountering one really great prose-writer, Boccaccio only excepted. Unquestionably the development of Italian prose was retarded by the cultivation of Latin, which deprived it of ornaments in Petrarch, Pontano, and Æneas Sylvius--to say nothing of the buried talent which the example of such writers would have called into activity. With every allowance on these accounts, it is still remarkable how generally the path of the historian of early Italian literature lies amid the flowers of poetry and fiction. But the time had now come when, as in Greece, the national genius was about to assert itself in prose, and, also as in Greece, the movement was heralded by historians. After a long interval, due to the exclusive cultivation of ancient models, the Italian Herodotus, Giovanni Villani, was to be followed by two men who might dispute the character of the Italian Thucydides, who at all events belonged to that invaluable class of historians who, like Thucydides, in the events of which they are the narrators and the judges. This advantage was possessed in an eminent degree by FRANCESCO GUICCIARDINI, the historian of contemporary times; and though NICCOLÓ MACHIAVELLI did not write his principal work as a contemporary, his knowledge of the Florentine constitution was so intimate as almost to invest him with the authority of an eye-witness of the Florentine revolutions of the past.