A contemporary of Tassoni is usually named along with him as a master
of the heroi-comic style, but is in every respect greatly his inferior.
This is FRANCESCO BRACCIOLINI (1566-1645), whose pen, if he really
meant to serve the Church by ridiculing the classical mythology, should
have been wielded a century sooner. Part of the humour of his _Scherno
degli Dei_ consists in the unconscious anachronism. It manifests
considerable fertility of invention, and has survived the author’s four
epics, placed as these were immediately after Tasso’s by good judges in
his own day. The _Malmantile Racquistato_ of Lorenzo Lippi the painter,
the delight of the philologist for its idiomatic Tuscan, is remarkable
for embalming much local folk-lore, and so many local phrases as to be
shorter than its own glossary.
Two more recent examples of the mock-heroic epic maybe included here
to complete the subject. The _Ricciardetto_ of NICOCOLÒ FORTEGUERRI,
published under the pseudonym of Carteromaco, has received much merited
and more unmerited praise. The author (1670-1730) was a prelate of the
Roman court, and so great a favourite of Pope Clement XII. that he is
said to have died from mortification at having displeased his patron
by neglecting to ask for a vacant appointment. His poem burlesques the
chivalric epics of Ariosto and others, not with the refined raillery of
a Berni, but in a style of broad, coarse buffoonery. It was published
after his death, when his friends sought to extenuate its unclerical
character by alleging that it had been undertaken for a wager, composed
in spare intervals of time, and never designed for publication. All
these statements seem to be groundless. It has considerable merit as a
burlesque, and some passages indicate a talent for serious poetry which
might have developed into something considerable; in the main, however,
the ability displayed is of a low though drastic strain. The best idea
is that of making the Saracen champion Feraù turn hermit, a character
which he supports less in the fashion of St. Jerome than of Friar Tuck.
Public-domain text, read in full here on John Shaqi.
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