For students who cannot afford a considerable number of photographs the _University Prints_, Newton, Mass., afford a tolerable substitute. For quick reference the numerous cuts in Venturi’s monumental _Storia dell’ Arte Italiana_, Milan, Ulrico Hoepli, are very useful. The halftones in the “Künstler Monografien,” Leipzig, Velhagen and Klasing, and the larger prints in the “Klassiker der Kunst,” Stuttgart and Leipzig, serve a similar purpose. Details may be had from any importing bookseller. INDEX Where an artist has a family name, that is the indexed word, e.g., Bellini, Giovanni. Where there is no surname, the Christian name is used, e.g., Nardo di Cione, Andrea da Bologna. So is the Christian name the index word when an apparent surname is really only descriptive of birthplace or civil estate, e.g., Domenico Veneziano, Lorenzo Monaco. In the case of well-known artists, the most familiar name is employed, e.g., Angelico, Fra; Giorgione, Titian, Perugino, Raphael, Andrea del Sarto, Pontormo, Botticelli, Michelangelo, etc. Academic, light and shade, Leonardo, 226; theory of generalization, Sir Joshua Reynolds, 318; of selection and Belle Nature, Leonardo, 258; L. Dolce, 445 Altar, as shrine and tomb, influence on subjects of painting, 7 Alunno (Niccolò Liberatore), 273 Andrea da Bologna, 271 Andrea del Castagno, 146–147, 201 Andrea del Sarto, 248–253 Angelico of Fiesole, Fra, 112, 114–122, 267 Antonello da Messina, 345–348, 355, 360 Antonio da Negroponte, 335 Ariosto, list of greatest painters, 385 Baldovinetti, Alesso, 148; an official appraisal of his frescoes, 153 Barna of Siena, 88, 89 Bartolo di Fredi, 86 Baroque decorative painting, derives from Mantegna, 337, 340–341; Correggio, 340, 415–416; Tiepolo, 442; Influence of Catholic Reaction on mood of, 459 Bartolommeo, Fra (Baccio della Porta), 246, 247–248, 282, 290 Bartolommeo della Gatta, Don, 177 Bellini, Gentile, 348–352, 364 Bellini, Giovanni, 324, 352–362, 369 Bellini, Jacopo, 330–333, 334 Bembo, Pietro, 373 Benvenuto di Giovanni, 99 Birth salvers (deschi da parto), 99, 128, 181 Bologna School and Eclecticism, _passim_, 458–465, 471 Bonfigli, Benedetto, 271 Botticelli, Sandro (Alessandro di Mariano Filipepi), 122, 163, 175, 184, 202–220, 255 Brancacci Chapel, problem of the frescoes, 131–141 Byzantine manner, 10–12; in Venetia, 324, 326, 327 Bartolommeo di Giovanni, 183 Bassano, Jacopo and Leandro, 424 Bonauiti, Andrea, decorator of the Spanish Chapel, 51–53 Bronzino, Agnolo, 251 Brunellesco, investigator of perspective, 110 Canale, Antonio, 442 Caravaggio (Michelangelo Amerighi), 453–456, 470 Carpaccio, Victor, 364–370 Carracci, their academy at Bologna, 461.; Carlo Malvasia on the Eclecticism of the C., 471 Carracci, Annibale, 453, 459–465; sonnet ascribed to, 471 Cassone painters, before 1450, 127–130; after 1450, 180–183