Castiglione, Baldassare, 266, 298; list of greatest artists, 315 Cavallini, Pietro, 16–18 Cimabue, 12, 14–15, 20 Classic Spirit, Kenyon Cox on, 319 Correggio (Antonio Allegri), 340, 415–417; Initiator of the Baroque Manner, 416 Cox, Kenyon, on the Classic Spirit, 319 Crivelli, Carlo, 267, 271, 334–335 Dante, 3, 8; Giotto’s portrait of, 40; Botticelli’s drawings for, 215 Domenico di Bartolo, 89 Domenico Veneziano, 147–148, 168, 201, 267, 271 Domenichino (Domenico Zampieri), 465, 467–469 Donatello, 110, 333 Duccio di Buoninsegna, 12, 13, 60, 63–72; Procession on installation of his great Madonna, 106 Florence, about 1300 described, 2–4, 55; the new looser manners after the plague of 1348, 110, 111; Renaissance pageantry in, 195–196; Savonarola’s revolution, 193, 215, 302; End of liberty in and demoralization, 320 Folgore da San Gemignano, Sienese sonnet quoted, 104 Francesco di Giorgio, 100 Francis of Assisi, St., initiator of the new emotionalism in painting, 7, 8 Fresco, method of painting in, 6 Gaddi, Agnolo, 46 Gaddi, Gaddo, possibly to be identified with the “Isaac Master,” 18 Gaddi, Taddeo, 40, 45, 46 Gentile da Fabriano, 267–270, 328, 330 Ghiberti, Lorenzo, Sienese anecdote by, 104; his studies, 109 Ghirlandaio (Domenico Bigordi), 122, 142, 143, 177, 184–194 Giorgione, 370–383; problem of, 370; early works, 371, 372; his Arcadianism related to pastoral poetry, 373–374; his dreamy and indeterminate mood, 374–377; Castelfranco Madonna, and other later works, 378–380; pastoral symphony, 380–382; The Concert, its problems, 381–382; Summary, 383; Suggestion of G’s subjects in Leonardo’s “Trattato,” 385–386 Giottino, 46 Giotto’s pupils, “Master of the Right Transept,” 43–45; Taddeo Gaddi, 45, 46; Buffalmacco, 46; Bernardo Daddi, 46; Giottino, 46, 47 Giotto di Bondone, 18; early work at Assisi, 20–22; at Rome, 23; at Padua, 23–29; later work, the Allegories at Assisi, 31–34; at Santa Croce, 34–39; The Campanile and last phase, 40, 41; general characterization, 42, 43; poem by, 56; mentioned, 136, 267 Giovanni di Paolo, 93–95 Girolamo di Benvenuto, 99 Giulio Romano, 294, 297, 452–453 Gozzoli, Benozzo, 142, 143, 165–166, 267, 271 Grand style defined, 265–266; Sir Joshua Reynolds on, 318–319; L. Dolce on, in Titian, 445 Guariento of Padua, 324 Goya, Francisco, quoted, 131 Guardi, Francesco, 443 Guido of Siena, 12 “Isaac Master,” perhaps Gaddo Gaddi, 18 Isabella d’Este, Marchioness of Mantua, relations with Mantegna, 343; Opinion of him, 384 Landscape, new sense of the picturesque in, and Salvator Rosa, 456–457 LeBrun, Charles, dependence as decorator on A. Carracci, 465