Of Duccio di Buoninsegna, the father of the Sienese school, and
everything considered its greatest master, we have numerous records,[17]
and by no means all to his credit. He must have had the artistic
temperament in a degree then unusual. The court records show half a
dozen fines against him, and he was not scrupulous about paying his
debts. One forgets these foibles before those Madonnas which are a
consummate expression of taste and those narratives which are a triumph
of tact and ingenuity. Duccio’s mind does not grasp the harsher and more
heroic emotions, but within the realm of the tender and pathetic he is
supreme. His elegance appears in his first important work, the famous
Rucellai Madonna, Figure 36, in Santa Maria Novella at Florence, which
tradition erroneously ascribes to Cimabue. It is presumably the great
panel which Duccio contracted to paint in 1285.[18] He was probably
young and unconsidered, for he took all the risks, agreeing that the
picture might be rejected at the will of the patrons. The Society of
Saint Mary the Virgin would have been foolish indeed to reject the most
gracious Madonna the world had then seen. Characteristic of Duccio are
the swaying curves of the contours and especially of the draperies, the
thin, delicately folded robes of the Child and the attendant angels and
the sensitively drawn bare feet. Working in Florence and doubtless
impressed by Cimabue, Duccio has retained in this early work a certain
austerity which gives way in his later work to a more feminine
sweetness. For that very reason the Rucellai Madonna is perhaps the
greatest Madonna of the century, since without loss of the stately
Byzantine qualities, she gains the new attributes of grace. It was no
wonder that when the name of Duccio had faded out of the Florentine
memory, Florence ascribed this noble Madonna to the venerated founder of
her native school, Cimabue. Recent criticism has righted the unconscious
wrong thus done to Siena.
[Illustration:
FIG. 37. Duccio. Madonna in Majesty.—_Opera del Duomo, Siena._
]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account