A History of Magic and Experimental Science, Volume 2 (of 2): During the First Thirteen Centuries of Our Era — John Shaqi
A History of Magic and Experimental Science, Volume 2 (of 2): During the First Thirteen Centuries of Our EraThorndike, Lynn
History
A History of Magic and Experimental Science, Volume 2 (of 2): During the First Thirteen Centuries of Our Era
Thorndike, Lynn
Magic -- History; Science -- History
Returning to the _Natural Questions_, we may note that, like the
_Problems_ of Aristotle, they vary from such crude queries as might
occur to any curious person without scientific training to others that
imply some previous theory or knowledge. A list of some of them will
illustrate the scope of the scientific curiosity of the time. When one
tree is grafted upon another, why is all the fruit of the nature of
the grafted portion? Why do some brutes ruminate; why are some animals
without stomachs; and why do some which drink make no water? Why do
men grow bald in front? Why do some animals see better in the night
than in the day and why can a man standing in the dark see objects
that are in the light, while a man standing in the light cannot see
objects that are in the dark? Why are the fingers of the human hand
of unequal length and the palm hollow? Why don’t babies walk as soon
as they are born, and why are they at first nourished upon milk, and
why doesn’t milk agree equally with old and young? Why do we fear dead
bodies?[64] A number of questions are devoted to each of the topics,
vision, hearing, and heat, while the senses of taste, smell, and touch
are dismissed in a single question and answer.[65]
[Sidenote: Theory of sound.]
The discussion of sound and vision may be noted more fully. The nephew
has already learned from his Boethius something similar to the wave
theory of sound. He states that when the air has been formed by the
mouth of the speaker and impelled by the tongue, it impresses the same
form upon that which is next to it, and that this process is repeated
over and over just as concentric circles are formed when a stone is
thrown into water.[66] Vitruvius had given the same explanation in
discussing the acoustics of a theater.[67] But when the nephew asks
his uncle how the voice can penetrate an iron wall, Adelard replies
that every metal body, no matter how solid, has some pores through
which the air can pass.[68] Thus he appears to regard air as the only
substance which can transmit or conduct sound waves. His notion that
air can pass through solids reminds one a little of the milder theory
of Hero of Alexandria that heat and light consist of material particles
which penetrate the interstices between the atoms composing air and
water.[69] But it hardly seems as if Adelard could have derived _his_
notion from Hero, since the impermeability of metal vessels to air is a
fundamental hypothesis in many of the devices of Hero’s _Pneumatics_.
[Sidenote: Theory of vision.]
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