A History of Magic and Experimental Science, Volume 2 (of 2): During the First Thirteen Centuries of Our EraThorndike, Lynn
History
A History of Magic and Experimental Science, Volume 2 (of 2): During the First Thirteen Centuries of Our Era
Thorndike, Lynn
Magic -- History; Science -- History
The purpose of the poet and his attitude towards astrology have been
interpreted in diametrically opposite ways by different scholars.
Before Hauréau it was customary to attribute the poem to Hildebert,
archbishop of Tours, and to regard it as an attack upon astrology.
The early editors of the _Histoire Littéraire de la France_ supported
their assertion that the most judicious men of letters in the eleventh
and twelfth centuries had only a sovereign scorn for the widely
current astrological superstition of their time by citing Hildebert
as ridiculing the art in his _Mathematicus_.[292] A century later
Charles Jourdain again represented Hildebert as turning to ridicule
the vain speculations of the astrologers.[293] Bourassé, the editor
of Hildebert’s works as they appear in Migne’s _Patrologia Latina_,
seems to have felt that the poem was scarcely an outspoken attack upon
astrology and tried to explain it as an academic exercise which was not
to be taken seriously, but regarded as satire upon judicial astrology.
Hauréau not only denied Archbishop Hildebert’s authorship, but took
the common sense view that the poet believes fully in astrology. It
would, indeed, be difficult to detect any suggestion of ridicule or
satire about the poem. Its plot is a tragic one and it seems written in
all seriousness. Even Patricida, despite his assertion that “man is
not subject to the stars,” does not doubt that he will kill his father
conformably to the learned astrologer’s prediction, if he himself
continues to live. It is only by the _tour de force_ of self-slaughter
that he hopes to cheat fate.
[Sidenote: Hildebert’s Hermaphrodite’s horoscope.]
Even Archbishop Hildebert shows a tendency towards astrology in other
poems attributed to him; for example, in his _Nativity of Christ_
and in a short poem, _The Hermaphrodite_, which reads as follows,
representing the fulfillment of a horoscope:
“While my pregnant mother bore me in the womb, ’tis said
the gods deliberated what she should bring forth. Phoebus
said, ‘It is a boy’; Mars, ‘A girl’; Juno, ‘Neither.’ So
when I was born, I was a hermaphrodite. When I seek to die,
the goddess says, ‘He shall be slain by a weapon’; Mars,
‘By crucifixion’; Phoebus, ‘By drowning.’ So it turned out.
A tree shades the water; I climb it; the sword I carry by
chance slips from its scabbard; I myself fall upon it; my
trunk is impaled in the branches; my head falls into the
river. Thus I, man, woman, and neither, suffered flood,
sword, and cross.”[294]
Public-domain text, read in full here on John Shaqi.
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