The ancient scenery at first consisted of mere boughs, but afterwards of
tapestry, not painted canvas. The Greek stage consisted of three parts,
the _scena_, across the theatre, upon the line of the curtain in our
theatres; the proscenium, where the actors performed; and the
post-scenium, the part behind the house, before-mentioned. To form parts
of the scenes there were prisms of framework, turning upon pivots, upon
each face of which was strained a distinct picture, one for tragedy,
consisting of large buildings, with columns, statues, and other
corresponding ornaments; a second face, with houses, windows, and
balconies, for comedy; a third applied to farce, with cottages,
grottoes, and rural scenes. There were the _scenae versatiles_ of
Servius. Besides these, there were _scenae ductiles_, which drew
backwards and forwards, and opened a view of the house, which was built
upon the stage, and contained apartments for machinery, or retirement
for the actors. As to the patterns of the scenes, in comedy, the most
considerable building was in the centre; that on the right side was a
little less elevated, and that on the left generally represented an inn.
In the satirical pieces they had always a cave in the middle, a wretched
cabin on the right, and on the left an old ruined temple, or some
landscape. In these representations perspective was observed for
Vitruvius remarks (C. 8) that the rules of it were invented and
practised from the time of Aeschylus, by a painter named Agararchus, who
has even left a treatise upon it. After the downfall of the Roman
Empire, these decorations of the stage were neglected, till Peruzzi, a
Siennese, who died in 1536, revived them.
There were three entries in front, and two on the sides; the middle
entry (termed the Royal door) was always that of the principal actor;
thus, in tragedy, it was commonly the gate of a palace. Those on the
right and left were destined to the second-part players, and the two
others, on the sides, one to people from the country, the other to those
from the harbour, or any public place.
Public-domain text, read in full here on John Shaqi.
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