The Etruscan era is supposed to have commenced about 1044 B.C., and we
are told that the Etruscans shared with the Greeks, and the Phoenicians,
the maritime supremacy of the Mediterranean. In the sepulchral chambers
of the Necropolis of Tarquinii, which extends for many miles, there are
several scenes painted in the archaic style by the Etruscans,
representing the Chase, the Circus, and Dancing Girls.
Soon after its innovation among the Romans, Pantomime spread all over
Italy and the provinces. So attractive did it become in Rome, and so
popular, that Tiberius issued a decree forbidding the knights and nobles
to frequent their houses of entertainment, or to be seen walking in the
streets with them. Trajan also oppressed and banished the Pantomimists.
Under Caligula, however, they were received with great favour, and
Aurelius made them priests of Apollo. Nero, who carried everything to
the extremity of foolishness, was not content in patronising the
Pantomimes, but must needs assist, and appear himself, as a _Mimi_. Here
again, in Nero, another claimant as the author of Pantomime has been put
forward.
"So great (observes Gaston Vuillier, in his 'History of Dancing,') was
the admiration for Pylades and Bathyllus that the theatrical supporters
clothed themselves in different liveries, and broils in the public
streets were of frequent occurrence." "The rivalries of Pylades and
Bathyllus," says De Laulnaye, "occupied the Romans as much as the
gravest affairs of state. Every citizen was a Bathyllian or a Pyladian."
Augustus reproved Pylades on one occasion for his quarrels with
Bathyllus. The Mime retorted, "It is well for you that the people are
engrossed by our disputes; their attention is thus diverted from your
actions." A bold retort, but it shows how important these Mimes were.
The banishment of Pylades brought about an insurrection, and the Emperor
had to recall him.
Cassius attributes the disgrace of Pylades to the intrigues of
Bathyllus, Suetonius to his effrontery; for on one occasion, when acting
Hercules, annoyed by the criticism of the spectators, he tore off his
mask, and shouted to them: "Fools, I am acting a madman." They thought
his gestures too extravagant. Another time he shot off arrows amongst
the spectators. Amongst other privileges extended by the Emperor
Augustus to the _Mimis_ was being exempt from magisterial control and
immunity from military serving.
Public-domain text, read in full here on John Shaqi.
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