Evil times, with the advent of the Commonwealth, soon fell upon our
theatres, and when they, as well as plays, were suppressed by order of
the Puritan Parliament, some of the actors followed the Royalist cause
(we do not hear of any taking the side of the Parliament), and lost
their lives fighting for the king. Others attempted to enact plays in
secret, but these performances more often than not, caused the actors
incarceration in some prison. At Holland House, in Kensington, many of
these secret performances, by the aid of bribery, took place. To give
timely warning of the performances Mr. Wright, in his "_Historia
Histronica_," mentions that "Alexander Goff, the woman-actor, was the
jackal to give notice of time and place to the lovers of the drama."
All this however, could not, and would not, keep the spirit of the drama
alive. The theatres were, we know, totally suppressed, "so there might
be no more plaies acted." Play-goers there were, as I have shown, but
they never knew when, in witnessing a performance, they might be seized
by the military, to be fined or imprisoned, or perhaps both. A more
lengthy reign of "Dramatic Terror" than what we had at this period,
would, in all probability, have left us little or no trace of the Drama
of this country. But a saviour was at hand, and that was Pantomime.
Pantomime, as previously stated, kept alive for ages, after the downfall
of the Roman Empire, the Dramatic Art, and during the Commonwealth of
this country, it practically did the same for us.
Owing to the exigences of the times, one Robert Cox, an actor of
considerable genius, after the fashion of the Extemporal Comedies of
Italy, invented a series of dramatic exhibitions at the Red Bull Theatre
(where the first English actress made her appearance December 8, 1660)
and elsewhere, under the guise of rope-dancing, a number of comic scenes
from Shakespeare, Shirley, Marston, Beaumont, and Fletcher, and others.
Cox's exhibitions, known as "Humours" or "Drolleries," were collected by
Marsh, and reprinted (1672) by Francis Kirkman, the author and
book-seller. This collection is entitled "The Wits, or Sport upon Sport,
in select pieces of Drollery, digested into scenes by way of dialogue.
Together with variety of Humours of several nations fitted for the
pleasure and content of all persons, either in Court, City, Country, or
Camp."
Public-domain text, read in full here on John Shaqi.
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