Of these "Humours" Kirkman observes, "As meanly as you may now think of
these Drolls, they were then acted by the best comedians; and, I may
say, by some that then exceeded all now living; the incomparable Robert
Cox, who was not only the principal actor, but also the contriver and
author of most of these farces. How I have heard him cried up for his
John Swabber, and Simpleton the Smith; in which he being to appear with
a large piece of bread and butter, I have frequently known several of
the female spectators and auditors to long for it; and once that
well-known natural, Jack Adams of Clerkenwell, seeing him with bread and
butter on the stage, and knowing him, cried out, 'Cuz! Cuz! give me
some!' to the great pleasure of the audience. And so naturally did he
act the smith's part, that being at a fair in a country town, and that
farce being presented the only master-smith of the town came to him,
saying, 'Well, although your father speaks so ill of you, yet when the
fair is done, if you will come and work with me, I will give you twelve
pence a week more than I give any other journeyman.' Thus was he taken
for a smith bred, that was, indeed, as much of any trade."
With the death of the Lord Protector, Cromwell, "The merry rattle of
Monk's drums coming up the Gray's Inn Road, welcomed by thousands of
dusty spectators," the return of Charles II., 1660, and though Charles
was more a lover of the stage than of the drama, the theatre again
recovered its credit, and to vigorously flourish once more.
CHAPTER XIV.
Introduction of Pantomimes to the English Stage--Weaver's "History of
the Mimes and Pantomimes"--Weaver's Pantomimes--The prejudice against
Pantomimes--Booth's counsel.
The year 1702 marks the appearance of the first Pantomime introduced to
the English stage, written by John Weaver, a friend of Addison and
Steele's, and entitled "Tavern Bilkers." It was produced at Drury Lane.
The author was by profession a dancing-master; his name is not to be
found in any biographical dictionary, yet, it is evident that the
"little dapper, cheerful man" had brains in his head as well as talent
in his heels.
Public-domain text, read in full here on John Shaqi.
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