A History of Parliamentary Elections and Electioneering in the Old Days: Showing the State of Political Parties and Party Warfare at the Hustings and in the House of Commons from the Stuarts to Queen VictoriaGrego, Joseph
History
A History of Parliamentary Elections and Electioneering in the Old Days: Showing the State of Political Parties and Party Warfare at the Hustings and in the House of Commons from the Stuarts to Queen Victoria
Grego, Joseph
Great Britain -- Politics and government; Great Britain. Parliament -- Election
Pitt’s valour, then deemed intemperate, in taking up the reins of
office by “the royal will,” and thereby jockeying the discomfited
ex-Coalition Ministry, is commented upon by Rowlandson in the course
of his numerous caricatures on the great Westminster election. “The
Hanoverian Horse and the British Lion; a scene in a new play, lately
acted at Westminster with distinguished applause. Act ii., scene
last” (March 31, 1784), is a version intended to be prophetic of the
end, a view then warranted by circumstances, but one falsified by
the results of the general election, which consolidated the power
in Pitt’s hands, and completely left the opposition “out in the
cold!” a surprise by no means anticipated at the date of the cartoon
in question. The Parliament-house is shown as the arena of this
constitutional tournament, and the faithful Commons are victimized by
the aggressive tendencies of Pitt’s steed; the White Horse of Hanover
is trampling upon “Magna Charta,” the “Bill of Rights,” and mangling
the “Constitution.” Pitt, a remarkably light and boyish jockey, is
exciting the brute, who is neighing, “Pre-ro-ro-ro-ro-rogative” with
vicious energy. The youthful premier is enjoying the capers of his
mount: “Bravo! go it again; I love to ride a mettle steed. Send the
vagabonds packing.” The heels of the White Horse are effectually
scaring the members and making a clearance. The British Lion has
descended from his familiar post as a supporter of the royal ’scutcheon
over the Speaker’s chair; in the vacant space lately occupied by the
British Lion is the announcement, “We shall resume our situation here
at pleasure.--Leo Rex.” The sturdy figure of the Whig Chief is safely
mounted upon the British Lion, who is keeping a watchful eye upon
his Hanoverian rival, while protesting, “If this horse is not tamed,
he will soon be absolute king of our forest.” Fox has entered on the
scene of conflict, armed for the encounter with bit, bridle, and a
stout riding-whip, to tame and control the uproarious White Horse; he
is volunteering advice to his upstart rival, “Prithee, Billy, dismount
before ye get a fall--and let some abler jockey take your seat!” Fox
was reckoning without his “Martyrs,” which the results of the election
were destined to create on an unprecedented scale, as this review will
show. The reverse was shortly to be realized, as set down pictorially
by Rowlandson. The poll was opened April 1, and three days later
appeared a version of Fox as “The Incurable,” in a strait-waistcoat,
and with straw in his hair, singing:--
“My lodging is on the cold ground, and very hard is my case,
But that which grieves me most of all is the losing of my place.”
[Illustration: T. ROWLANDSON: THE HANOVERIAN HORSE AND THE BRITISH
LION. MARCH, 1784.
[_Page 268._]
The royal physician, Dr. Munro, is examining the patient through
his eye-glass, and attesting, “As I have not the least hope of his
recovery, let him be removed amongst the Incurables.”
Public-domain text, read in full here on John Shaqi.
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