A History of Roman Classical Literature.Browne, R. W. (Robert William)
History
A History of Roman Classical Literature.
Browne, R. W. (Robert William)
Latin literature -- History and criticism
The beauty of a didactic poem depends only partially on the just views
and correct discrimination which it evinces, and principally on the
beauty of the language, the picturesque force, and pleasing character of
the descriptions, and the interest that is thrown into the episodes. In
fact, the accessaries are the parts most admired, and extracts brought
forward as specimens of this kind of poetry are invariably of this kind.
Poetry naturally deals with the beauties and terrors of external
nature—with the emotions and passions, whether of a tender or violent
kind—the sober practical rules of life are scarcely within its sphere.
True it is that when all literature was poetical, the precepts of moral
and physical philosophy, and even the dry commands of laws and
institutions, were embodied in a metrical form; but when literature
divides itself into poetry and prose, the subjects appropriated to each
other become spontaneously separate likewise. For this reason, the
Georgics of Virgil especially display his ability as a poet, his correct
taste the “limæ labor,” the pains which he took in polishing and
correcting. In none of his poems can we form a better idea of the
description which he gives of his patient toil, when he says, that “like
the she-bear he brought his poetical offspring into shape by constantly
licking them.”[564] The majesty of the language elevates the subject,
and divests it of so much of the homeliness as would be inappropriate to
poetry, and yet at the same time it is not too grand or elevated.
The following criticism of Addison[565] is by no means too
favourable:—“I shall conclude this poem to be the most complete,
elaborate, and finished piece of all antiquity. The Æneis is of a nobler
kind; but the Georgic is more perfect in its kind. The Æneis has a
greater variety of beauties in it; but those of the Georgic are more
exquisite. In short, the Georgic has all the perfection that can be
expected in a poem written by the greatest poet, in the flower of his
age, when his invention was ready, his imagination warm, his judgment
settled, and all his faculties in their full vigour and maturity.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account