Terence are all preserved to us, together with the dates of the first
performance of each.
[Sidenote: The Andria.] The _Andria_, produced at the Ludi Megalenses,
166 B. C., is adapted from the _Andria_ of Menander, with additions
from his _Perinthia_. A young man, Pamphilus, is in love with a girl
from Andros, but his father, Simo, has arranged a marriage for him
with the daughter of a neighbor, Chremes. Pamphilus’s servant, Davus,
succeeds in breaking off the match, and the girl from Andros is
finally found to be a daughter of Chremes. Pamphilus and his beloved
are united, and a second young man comes forward to marry the other
daughter.
The _Hecyra_ (Mother-in-law), first produced at the Ludi Megalenses,
165 B. C., is adapted from the Greek of Apollodorus. [Sidenote: The
Hecyra.] Pamphilus is a young man who has recently married Philumena,
for whom he has no affection. He goes on a journey to attend to some
property, and Philumena returns to her mother. Upon Pamphilus’s return,
a child born to Philumena in his absence is shown to be his, and he and
Philumena are reconciled. This play was unsuccessful, and deservedly
so, as it is the least interesting Latin comedy extant.
[Sidenote: The Heauton-Timorumenos.] The _Heauton-Timorumenos_
(Self-tormentor), after Menander’s play of the same title, was produced
at the Ludi Megalenses in 163 B. C. Menedemus has by his harshness
driven his son Clinias, who is in love with Antiphila, to take
service in a foreign army. He therefore torments himself on account
of remorse, and he confides his troubles to his friend Chremes, whose
son, Clitipho, is in love with Bacchis. When Clinias comes back from
the wars, he and Clitipho get Chremes to receive Antiphila and Bacchis
in his house, in the belief that Clinias is in love with Bacchis,
and that Antiphila is her servant. Finally Antiphila is found to be
the daughter of Chremes and is betrothed to Clinias. Clitipho gives
up the spendthrift Bacchis. The comic personage of the play is the
slave Syrus, who helps the young men to get the money they need. The
character of Chremes is well drawn, but the action of the play is weak.
[Sidenote: The Eunuchus.] The _Eunuchus_, produced at the Ludi
Megalenses in 161 B. C., is adapted from the “Eunuch” of Menander,
with additions from the “Flatterer” of the same author. The plot is
complicated and interesting, involving a love affair between Thais
and Phædria, who has a soldier as his rival, and a second love affair
between Pamphila, who had been brought up as foster sister to Thais,
and Phædria’s brother, Chærea. In order to approach Pamphila, Chærea
disguises himself as a eunuch. In the end Pamphila’s brother Chremes
appears, proclaims her free birth, and sanctions her marriage to
Chærea. The characters are well drawn, Chærea, perhaps, the best of
all, and the action is amusing.
Public-domain text, read in full here on John Shaqi.
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