[Sidenote: Oratory.] Throughout the period from the third Punic
war to the dictatorship of Sulla—and, in fact, until the death of
Cicero—nearly every public man at Rome was an orator, and many of them
published their speeches. In the times of the Gracchi, Rome contained,
perhaps, more excellent speakers than at any other period, among whom
none equalled in force, brilliancy and oratorical power the great,
though unsuccessful, statesman and patriot Gaius Gracchus, (154-121
B. C.), who far surpassed his elder brother Tiberius (163-133 B. C.)
in eloquence, though he, too, was an orator of distinction. After the
Gracchi the most distinguished orators were Marcus Antonius (143-87
B. C.) and Lucius Licinius (140-91 B. C.), the first of whom excelled
in vigor and liveliness of delivery, the second in wit, elegance and
variety of composition. These orators were not merely men with natural
ability to speak, but were carefully trained in accordance with the
precepts of Greek rhetoric.
Of all the works mentioned so far in this chapter, only one—Cato’s
treatise _On Agriculture_—has come down to us entire, and only the
satires of Lucilius are known to us by numerous fragments. [Sidenote:
These works lost.] The other works and their authors have left little
more than their names. There is, however, one work, now usually
ascribed to Cornificius, an author of whom nothing is known, which
is preserved entire. [Sidenote: Rhetorica ad Herennium.] This is the
_Rhetoric Addressed to Herennius_, which was preserved because it was
falsely included among Cicero’s works. The treatise goes over much
the same ground as Cicero’s youthful essay _On Invention_, which is
evidently intended to be little more than a new and improved edition of
the earlier work.
The importance of the period immediately preceding the time of Cicero
can not be judged by the extant literature, but must be estimated by
the number of works and authors mentioned by later writers and the
qualities assigned to them. [Sidenote: Great progress of prose.] It
is at once evident that poetry made little progress, while prose
writing of all kinds advanced with rapid strides. It is only natural,
therefore, that the age of Cicero should be the most brilliant period
of Latin prose, and that the highest general development of poetry
should be reserved for the Augustan age. Yet, even the Augustan age
can only equal, not surpass, the immortal poems of two of Cicero’s
contemporaries, Lucretius and Catullus.
CHAPTER IV
LUCRETIUS
The Ciceronian period—Lucretius, 99(?)-55(?) B. C.—Philosophy at
Rome—The poem of Lucretius—Its purpose, contents, and style.
Public-domain text, read in full here on John Shaqi.
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