A History of Sanskrit LiteratureMacdonell, Arthur Anthony
History
A History of Sanskrit Literature
Macdonell, Arthur Anthony
Sanskrit literature -- History and criticism
The first part (1-50) of Book I. has considerable affinities with
the eighth, more than half its hymns being attributed to members of
the Kanva family, while in the hymns composed by some of these Kanvas
the favourite strophic metre of the eighth book reappears. There are,
moreover, numerous parallel and directly identical passages in the
two collections. It is, however, at present impossible to decide
which of the two is the earlier, or why it is that, though so nearly
related, they should have been separated. Certain it is that they
were respectively added at the beginning and the end of a previously
existing collection, whether they were divided for chronological
reasons or because composed by different branches of the Kanva family.
As to the ninth book, it cannot be doubted that it came into being
as a collection after the first eight books had been combined
into a whole. Its formation was in fact the direct result of that
combination. The hymns to Soma Pavamana ("the clearly flowing") are
composed by authors of the same families as produced Books II.-VII.,
a fact, apart from other evidence, sufficiently indicated by their
having the characteristic refrains of those families. The Pavamana
hymns have affinities to the first and eighth books also. When the
hymns of the different families were combined into books, and clearly
not till then, all their Pavamana hymns were taken out and gathered
into a single collection. This of course does not imply that the
Pavamana hymns themselves were of recent origin. On the contrary,
though some of them may date from the time when the tenth book came
into existence, there is good reason to suppose that the poetry of
the Soma hymns, which has many points in common with the Avesta,
and deals with a ritual going back to the Indo-Iranian period,
reached its conclusion as a whole in early times among the Vedic
singers. Differences of age in the hymns of the ninth book have been
almost entirely effaced; at any rate, research has as yet hardly
succeeded in distinguishing chronological stages in this collection.
Public-domain text, read in full here on John Shaqi.
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