The value of the Rosetta Stone depended on the fact that it gave promise, even when casually inspected, of furnishing a key to the centuries-old mystery of the hieroglyphics. For two thousand years the secret of these strange markings had been forgotten. Nowhere in the world--quite as little in Egypt as elsewhere--had any man the slightest clew to their meaning; there were those who even doubted whether these droll picturings really had any specific meaning, questioning whether they were not rather vague symbols of esoteric religious import and nothing more. And it was the Rosetta Stone that gave the answer to these doubters and restored to the world a lost language and a forgotten literature. The trustees of the museum recognized at once that the problem of the Rosetta Stone was one on which the scientists of the world might well exhaust their ingenuity, and promptly published to the world a carefully lithographed copy of the entire inscription, so that foreign scholarship had equal opportunity with the British to try at the riddle. It was an Englishman, however, who first gained a clew to the solution. This was none other than the extraordinary Dr. Thomas Young, the demonstrator of the vibratory nature of light. Young's specific discoveries were these: (1) That many of the pictures of the hieroglyphics stand for the names of the objects actually delineated; (2) that other pictures are sometimes only symbolic; (3) that plural numbers are represented by repetition; (4) that numerals are represented by dashes; (5) that hieroglyphics may read either from the right or from the left, but always from the direction in which the animal and human figures face; (6) that proper names are surrounded by a graven oval ring, making what he called a cartouche; (7) that the cartouches of the preserved portion of the Rosetta Stone stand for the name of Ptolemy alone; (8) that the presence of a female figure after such cartouches in other inscriptions always denotes the female sex; (9) that within the cartouches the hieroglyphic symbols have a positively phonetic value, either alphabetic or syllabic; and (10) that several different characters may have the same phonetic value.