Within recent years the natural history collection has been removed _in toto_ from the old building to a new site far out in South Kensington, and the casual visitor is likely to think of it as a separate institution. The building which it occupies is very modern in appearance as in fact. It is a large and unquestionably striking structure, and one that gives opportunity for very radical difference of opinion as to its architectural beauty. By some it is much admired; by others it is almost equally scoffed at. Certain it is that it will hardly bear comparison with the parent building in Great Russell Street. Interiorly, the building of the natural history museum is admirably adapted for its purpose. Its galleries are for the most part well lighted, and the main central hall is particularly well adapted for an exhibition of specimens, to which I shall refer more at length in a moment. For the rest there is no striking departure from the conventional. Perhaps it is not desired that there should be, since long experience seems to have settled fairly well the problem of greatest economy of space, combined with best lighting facilities, which always confronts the architect in founding a natural history museum. There is, however, one striking novel feature in connection with the structure of the natural history museum at Kensington which must not be overlooked. This is the quite unprecedented use of terra-cotta ornamentation. Without there is a striking display of half-decorative and half-realistic forms; while within the walls and pillars everywhere are covered with terracotta bas-reliefs representing the various forms of life appropriate to the particular department of the museum which they ornament. This very excellent feature might well be copied elsewhere, and doubtless will be from time to time. As to the exhibits proper within the museum, it may be stated in a word that they cover the entire range of the faunas and floras of the globe in a variety and abundance of specimens that are hardly excelled anywhere, and only duplicated by one or two other collections in Europe and two or three in America. It would be but a reiteration of what the catalogues of all large collections exhibit were one to enumerate the various forms here shown, but there are two or three exhibits in this museum which are more novel and which deserve special mention. One of these is to be found in a set of cases in the main central hall. Here are exhibited, in a delightfully popular form, some of the lessons that the evolutionist has taught us during the last half-century. Appropriately enough, a fine marble statue of Darwin, whose work is the fountain-head of all these lessons, is placed on the stairway just beyond, as if to view with approval this beautiful exemplification of his work.