Eastern Empire. _See_ Byzantium
École des Beaux Arts
Rude’s opinion, 254
Influence on French sculpture, 269-272
Rodin and, 274
Compared with Royal Academy, 289
Alfred Gilbert and, 294, 295
Egypt
Ancient, 7, 9, 11, 35
Ptolemaic age, 97, 98
Hadrian, time of, 137
“Egyptian Singer,” by Onslow Ford, 300
Elgin marbles, 30, 31, 260
Elgin, Thomas, Earl of, 260
Elusis, Sacred Way to, 54
Epheboi, 67
Epidaurus
Chryselephantine statue of Asclepius at, 42
“Eros” of Praxiteles, 60
Of Thespiae, by Praxiteles, 61
Of Centocelle, 61
’Estampe, Madame D., 229
Este family, 181
Eumenes II., 91
Euphranor, 36
Eutychides of Sicyon, 87
“Eve,” by Brock, 290, 293
Exhibitions of 1851 and 1862, 283, 284
Falconet, Etienne Maurice, 242
“L’amour Menaçant,” 242, 243
Falguière, 270
Falieri, Senator, 249
“Falling Titan,” by Banks, 284
“Farnese Bull,” 97
“Farnese Hercules,” 101, 102
“Fates, The Three,” from Parthenon pediment, 31, 112
Feltre, Vittorino of, 174-175
Ferrara, 160, 181
Ferruccio, Francesco, 187
Fireplace, by Alfred Stevens, at Dorchester House, 286
Flaxman
Connection with Neo-classical revival, 246, 247, 254, 261, 262
Early life, 261
Wedgwood, association with, 261
“Michael and Satan,” 261
Homeric illustrations, 262
Elgin marbles, opinion upon, 260
Successors of, 281, 284
“Flora,” by Carpeaux, 267, 274
Florence
Struggles between Empire and Papacy, 153
Rise of city-state system, 153
Contention between city and city, 160, 169
Centre of intellectual activity in Italy, 160
Influence of Pisani upon sculpture, 157, 158, 164
Increase in trade and wealth, 169
Burghers’ pride in city, 169
Florentine guilds, their political influence, 169
Commissions for Baptistery gates, 162-164, 166, 169
Or San Michele, Oratory of, 171
Commissions for statuary on, Or San Michele, 172, 199
Cathedral, building of, 171
Luca della Robbia’s “Cantoria,” 178, 179
Influence of Medici family, 181, 191, 192, 196, 199, 203
Lorenzo the Magnificent, 182
State commissions Michael Angelo’s “David,” 185-187
Siege of, 196
Extinction of republic, 199
Loss of liberty, 200, 201
Decline of burgher class, 201
Cellini at, 205, 209
Sends craftsmen to France, 228
National Museum, 163
Foley, 284
“Asia” in Albert Memorial, 285
“Sir James Outram,” 285
“Folly,” by Onslow Ford, 300
Fontenoy, 241
Ford, Onslow, 290
“Rowland Hill” competition, 299
“Henry Irving as Hamlet,” 299
Statuettes “Folly” and “Egyptian Singer,” 300
Fontainebleau
School of, 205
Palace of, 227-229
Fountain of the Dragon at Versailles, 238, 239
Fountain of Innocents, by Goujon, 230
Public-domain text, read in full here on John Shaqi.
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