Fountain of Trevi, by Bernini, 218 Fouquet, 225 Frémiet, 301 Fragonard, 240, 242 Frampton, George, 290 Art training, 288, 302 “Mysteriarch,” 301, 302 London County Council, connection with, 302 France Northern mysticism, 221-224 Communal life, rise of, 147 Cathedrals built by lay guilds, 148 Catholic Church, influence of, 148 Cathedrals compared with Greek temples, 148-151 Italian circumstances more favourable to sculpture, 152, 153 Refuses anti-Humanistic creed of Reformation, 213, 224 Italian Renaissance, influence of, 211, 213, 225, 228 Tours, school of, 225, 226 Political circumstances after 1515 A.D., 226, 227 Francis I., “Creator of French Sculpture,” 227-229 Cellini at Court of Francis I., 205, 228, 229 Fontainebleau, school of, 205, 229 Goujon, First French sculptor, 230 Influence of women upon art, 230-233, 241, 243 Louis Quatorze, political circumstances under, 234 Versailles, 234-236, 237-239 Puget and Louis Quatorze, 236 Influence of Bernini and Catholic reaction, 237 Louis Quinze and Louis Seize, 239-245 Popularity of single figures and statuettes, 240, 242, 243 Pigalle and Saxe Memorial, 241, 242 Eighteenth-century sculpture, characteristics of, 243 Revolution, 253-256 Pseudo-Hellenic school, 263-264 Renascence of individualism, 263, 265-268 Academic sculptors of to-day, 268-272 Dalou and Rodin, 271-279 Modern French sculpture compared with British, 280, 281 Francis I. In Italy, 213 Cellini at court of, 205, 228, 229 “Creator of French sculpture,” 227, 234 His buildings, 227-229 Francis of Assisi Love of Nature, 156, 157 Influence upon Naturalism, 157 Andrea Pisano, and, 156, 158, 161 Franciscans compared with Jesuits, 214, 215 Friedland, 255 Frieze of Parthenon Use of colour, 29 Panathenaic procession, 30, 31 Frith, W. S., 288, 302 Frost, K. T., criticism upon “Apoxyomenus,” 69, 75 Fürtwangler, Professor Upon Stroganoff Bronze, 107 Upon bust of “Julius Cæsar,” footnote, 125