Gaillon, Châteaux of, 228 Gainsborough, 256, 262 Galérie des Glaces, Versailles, 240 Gardner, Mr. E. A., 50 Gardner, Mr. Percy, 73 “Gate of Hell,” by Rodin, 274-277 Gaulish invasion Of Asia Minor, 90-92, 106 Of Greece, 106 Of Rome, 139, 146 Pergamene art, effects on, 88-93 Hellenistic art, effects on, 105-108 “Dying Gaul,” 89 “Gaul killing his wife,” 89 Genoa, 153, 154 “George, St.” by Gilbert, 297, 298 Gericault, 266 Germany Mysticism in, 221-223 Protestantism in, 213 Sculpture after Reformation, 223, 224, 298 Modern sculpture, preface, 298 Ghiberti, Lorenzo, 162-173, 184 Early life and art education, 162 Baptistery Gates competition, 162-164 “Gates of Paradise,” 164-168, 275 Pictorial quality in his art, 165, 167, 172 Revolt against asceticism, 165, 177, 178 Donatello compared with, 168, 172 Or San Michele commissions, 170-173 “John the Baptist,” 171 “Saint Matthew,” 172 Gibbons, Grinling, 257 Gibson, John Visit to Rome, 247, 282 “Tinted Venus,” 282, 284 “Hylas and the Nymphs,” 282, 283 Gibson Gallery, Burlington House, 282, 283 Gilbert, Alfred, 293-299 Early life, 294 Lambeth School of Art, 288, 289 Royal Academy Schools, 291, 294 France, visit to, 294, 295 Florence, visit to, 295 Shaftesbury Memorial, 295, 296 Clarence Memorial, 297-299 “Saint George,” 297, 298 The Carpeaux and Rodin of British sculpture, 290, 293, 299 Ginevra, Maria, 207 Giorgione’s “Venus,” 194 Giotto Andrea Pisano, influence upon, 157, 161 Ghiberti compared with, 165 Bernini compared with, 214, 215 Giovanni de Medici, 181 Giuliano, Duke of Nemours, tomb of, 192-197 Girardon, Francis Giovanni Bologna, influence upon, 211 Inspector of Sculpture at Versailles, 237 Versailles Gardens, 238, 239 “Apollo and Nymphs,” 237, 238 “Rape of Proserpine,” 211 “Fountaine en Pyramide,” 239 Glycon, 101 Goethe, 248 Goldsmithery, influence upon sculpture, 162, 205 Gonzaga, Family of, 175, 181 Goscombe John, _see_ John Gothic art, 145-154 Mysticism in Northern Europe, 152, 153, 221-223 Dates from about 1000 A.D., 145, 146 Historical circumstances, 146, 147 Cathedrals, 147, 148 Compared with Hellenic, 148-153 Compared with Italian, 152, 153, 177, 178 Sculpture, 149-151 Drapery in, 152 Rodin and, 279 Goujon, Jean Employed by Francis I., 227, 257 Fountain of the Innocents, 230 “Diana” from Anet, 230 Diana of Poitiers, and, 230-233 Gozzoli, 164 Græco-Roman style, 116, 118, 120-131, 155, 156 Grand Prix de Rome, 244, 254, 269 Greek colonies, 11 Greek sculpture, _see_ Hellenic and Hellenistic Gregory VII., 147 Gregory XIII., 198