Metal additions in statuary, 29, 76 Metopes, Parthenon, 29, 30 Meunier, 292, 293 Michel, Claude François. _See_ Clodion “Michael and Satan,” by Flaxman, 261 Michael Angelo, 183-197 Laocoon group, opinion upon, 94 Donatello’s “St. Mark,” opinion of, 172 Apotheosis of Italian sculpture compared with Shakespeare and Phidias, 161, 183 Historical circumstances of, 181, 182, 194, 196, 197 Why worked early sixteenth century, 161, 180-184 Early life, 184 Court of Lorenzo de Medici, 185 “David,” 185-188 “Pieta,” 188, 189 Work for Papacy, 190, 218, 247, 250 Tomb of Julius II., 189-191 Medici Tombs, 191-197 Artistic philosophy of, 192, 193 Preference for male form, 193, 194 Savonarola, influence of, 196 Correggio, comparison with, 195 Cellini and Bologna, comparisons with, 203, 210, 211, 212, 218 Rodin’s impressionism compared with Angelo’s method, 278 Alfred Stevens and, 286 Milan, 153, 160, 181, 201, 228 “Milo of Crotona,” by Puget, 236 Milton, 256 Mithridates, 119, 124 Mona Fiore da Castel del Rio, 206 Monciatto, Francesco, 187 Moneychangers, Guild of, Florence, 171 Montefeltro, 181 Montespan, Marquise de, 232, 233 Montesquieu, 232 Moody, the decorator, 286 Moricière, General de la, 270 “Moses,” from Tomb of Julius II., 190, 191 “Mower,” by Meunier, 292, 293 “Mower,” by Thornycroft, 291, 292, 293 Mullins, Roscoe, 288 Murray, Dr., 122 Museo di Santa Maria del Fiore, Florence, 179 Musée des Arts Décoratifs, 275 Music, 149, 217, 223 Mycenæan age, preface, 7, 9 Myron, 31, 36 “Discobolus” 15, 20-22, 23-24 “Mysteriarch,” by Frampton, 301