“Perseus and Andromeda,” 236 “Immaculate Conception,” 237 Introducer of “morbidezza,” 237 Pythis, 50 Quercia, Jacopo della Competes for Baptistery gates commission, 163, 169 Compared with the Pisani, 177 Tomb of Ilaria del Carretto by, 178, 226 Quincey, De, 115 Rambouillet, Madame de, 232 “Rape of Proserpine,” by Girardon, 211 Raphael 184, 228, 250, 261 Rasbourg, Van, 273 Ravenna, basilicas of, 145 Realism In art of Lysippus, 65-80 In Hellenistic art, 101-104 In Roman portraiture, 131, 135 Modern French realists, 272 Reformation, 213, 224 Religion Greek, 16, 34, 35, 36, 39, 222, 223 Early images, 8-11, 18, 19 Religious statuary in Fifth Century, 28, 29, 33-43 Compared with Gothic, 148, 152 Sense of, dulled in Fourth Century, 63 Effect on sculpture, 41, 42, 57, 63 Christianity, influence of, 43, 140, 141 Gothic, 145-154, 222, 223 Effect on sculpture, 149-152 Italian, 153, 157, 179, 196, 202 Reformation, effects of, 213, 224 Catholic reaction, effects of, 212-218, 237 Rembrandt, 222, 261 Revolution, French, 253, 264 Reynolds, Sir J., 256, 262 Rheims, 148 Robbia, The della. _See_ Luca della Robbia Rhodes, 93-97, 100 Compared with Hellenistic Greece, 100 Influence upon Rome, 120 “Laocoon group,” 93-97 “Farnese Bull,” 97 “Colossus” at, 104 Richelieu, Cardinal, 234 Richmond, Charles Duke of, 260 Robespierre, 256 Rochester, 46, 257 Rodin Early life, 272 Fails to enter École des Beaux Arts, 271 Pupil of Barye, 266, 272, 273 “Age of Brass,” 273, 275 “St. John the Baptist,” 273, 277 “The Kiss,” 275-276 “The Thinker,” 276 “Danaid,” 274 “Gate of Hell” (Porte de l’Enfer), 274-276 Attitude towards human form, 277 Impressionism compared with Rosso’s, 278, 279 Philosophy based on Dante and Baudelaire, 275 Sympathy with Gothic ideal, 279 Compared with English sculptors, 290-291 Influence upon Meunier, 292 Roman Catholic Church. _See_ Catholic Church Romantic movement, 264 Effect on sculpture, 265, 266 Rome Conquest of Greece, Syria, Egypt, 116 Republican age, 117-125 Culture borrowed from Greece, 118-121 School of Pasiteles, 121-123 Imperialism, rise of, 124-131 Augustan age, 129, 130 Climax under Trajan, 131-136 Effect on sculpture, 131, 136 Portraiture, 125-127, 131-136, 140 Reaction under Hadrian, 136-138 Reversion to Greek models, 137, 138 Post-Hadrian sculpture, 138, 139 Germanic invasion, 139, 140, 146 Christianity, influence of, 140, 141 Pisani, influence of Roman art upon, 155 Michael Angelo in, 190, 191 Sack of, 198, 199, 204