The trireme expanded in later centuries to the quinquereme: upper
works were added and a second mast, but in essentials it was the
same type of war vessel that dominated the Mediterranean for three
thousand years--an oar driven craft that attempted to disable its
enemy by ramming or breaking away the oars. After contact the fighting
was of a hand to hand character such as prevailed in battles on
land. These characteristics were as true of the galley of Lepanto
(1571 A.D.) as of the trireme of Salamis (480 B.C.). Of the three
cardinal virtues of the fighting ship, mobility, seaworthiness,
and ability to keep the sea, or cruising radius, the oar-driven
type possessed only the first. It was fast, it could hold position
accurately, it could spin about almost on its own axis, but it was
so frail that it had to run for shelter before a moderate wind
and sea. In consequence naval operations were limited to the summer
months. As to its cargo capacity, it was so small that it was unable
to carry provisions to sustain its own crew for more than a few
days. As a rule the trireme was beached at night, with the crew
sleeping on shore, and as far as possible the meals were cooked
and eaten on shore. In the battle of AEgospotami (405 B.C.), for
example, the Spartans fell upon the Athenians when their ships
were drawn up on the beach and the crews were cooking their dinner.
Moreover, the factors of speed and distance were both limited by
the physical fatigue of the oarsmen. In the language of to-day,
therefore, the oar-driven man-of-war had a small "cruising radius."
This dependence on the land and this sensitiveness to weather are
important facts in ancient naval history. It is fair to say that
storms did far more to destroy fleets and naval expeditions than
battles during the entire age of the oar. The opposite extreme
was reached in Nelson's day. His lumbering ships of the line made
wretched speed and straggling formations, but they were able to
weather a hurricane and to keep the sea for an indefinite length
of time.
Public-domain text, read in full here on John Shaqi.
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