A History of Spanish LiteratureFitzmaurice-Kelly, James
History
A History of Spanish Literature
Fitzmaurice-Kelly, James
Spanish literature -- History and criticism
For our purpose, the dawn of literature in Spain begins with the
Roman conquest. In colonies like Pax Augusta (Badajoz), Cæsar Augusta
(Zaragoza), and Emerita Augusta (Mérida), the Roman influence was
strengthened by the intermarriage of Roman soldiers with Spanish women.
All over Spain there arose the _odiosa cantio_, as St. Augustine calls
it, of Spanish children learning Latin; and every school formed a fresh
centre of Latin authority. With their laws, the conquerors imposed
their speech upon the broken tribes; and these, in turn, invaded
the capital of Latin politics and letters. The breath of Spanish
genius informs the Latinity of the Silver Age. Augustus himself had
named his Spanish freedman, Gaius Julius Hyginus, the Chief Keeper
of the Palatine Library. Spanish literary aptitude, showing stronger
in the prodigious learning of the Elder Seneca, matures in the
altisonant rhetoric and violent colouring of the Younger, in Lucan's
declamatory eloquence and metallic music, in Martial's unblushing
humour and brutal cynicism, in Quintilian's luminous judgment and wise
sententiousness.
All these display in germ the characteristic points of strength and
weakness which were to be developed in the evolution of Spanish
literature; and their influence on letters was matched by their
countrymen's authority on affairs. The Spaniard Balbus was the first
barbarian to reach the Consulship, and to receive the honour of a
public triumph; the Spaniard Trajan was the first barbarian named
Emperor, the first Emperor to make the Tigris the eastern boundary of
his dominion, and the only Emperor whose ashes were allowed to rest
within the Roman city-walls. And the victory of the vanquished was
complete when the Spaniard Hadrian, the author of the famous verses—
"_Animula vagula blandula,
Hospes comesque corporis,
Quæ nunc abibis in loca,
Pallidula rigida nudula,
Nec, ut soles, dabis jocos?_"—
himself an exquisite in art and in letters—became the master of
the world. Gibbon declares with justice that the happiest epoch in
mankind's history is "that which elapsed from the death of Domitian
to the accession of Commodus"; and the Spaniard, accounting Marcus
Aurelius as a son of Córdoba, vaunts with reasonable pride, that of
those eighty perfect, golden years, three-score at least were passed
beneath the sceptre of the Spanish Cæsars.
Public-domain text, read in full here on John Shaqi.
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